{"id":61,"date":"2021-07-10T12:17:26","date_gmt":"2021-07-10T10:17:26","guid":{"rendered":"https:\/\/reach.ircam.fr\/?p=61"},"modified":"2025-05-08T19:32:19","modified_gmt":"2025-05-08T17:32:19","slug":"erc-reach","status":"publish","type":"page","link":"https:\/\/reach.ircam.fr\/index.php\/erc-reach\/","title":{"rendered":"ERC Reach"},"content":{"rendered":"

REACH : Raising Co-Creativity in Cyber-Human Musicianship<\/h3>\n

This<\/em> project has received funding from the European Research Council (ERC) under the European Union\u2019s Horizon 2020 research and innovation programme. Grant agreement #883313, ERC Advanced Grant awarded to G\u00e9rard Assayag, PI, with partners : Marc Chemillier (EHESS) and Shlomo Dubnov (UCSD). <\/em><\/strong><\/h6>\n

Read original article<\/a><\/p>\n

Digital cultures are increasingly pushing forward a deep interweaving between human creativity and autonomous computation capabilities of surrounding environments, modeling joint human-machine action into new forms of shared reality involving \u00ab\u00a0\u00a0\u00bbsymbiotic interactions\u201d found in the arts and, more generally, in almost any human endeavor. Co-creativity between humans and machines will bring about the emergence of distributed information structures, creating new performative situations with mixed artificial and human agents. This will disrupt known cultural orders and significantly impact human development. Generative learning of symbolic representations based on physical and human signals, as well as the understanding of artistic and social strategies of improvisation, will help us to better comprehend the dynamics of cooperation (or conflicts) inherent to cyber-human bundles.<\/p>\n

To this end the REACH project aims at understanding, modeling, and developing musical co-creativity between humans and machines through improvised interactions, allowing musicians of any level of training to develop their skills and expand their individual and social creative potential. Indeed, improvisation is at the very heart of all human interactions, and music is a fertile ground for developing models and tools of creativity that can be generalized to other activities, as in music the constraints are among the strongest to conduct cooperative behaviors that come together into highly integrated courses of actions. REACH will study shared musicianship occurring at the intersection of the physical, human and digital spheres as an archetype of distributed (natural \/ artificial) intelligence, and will produce models and tools as vehicles to better understand and foster human creativity in a context where it becomes more and more intertwined with computation.<\/p>\n

REACH is based on the hypothesis that co-creativity in cyber-human systems results from a an emergence of coherent behaviors and non-linear regimes of event and structure formation, leading to a rich co-evolution of musical forms. These phenomena result from cross-learning processes between agents involving feedback loops and complex reinforcement mechanisms. REACH will study these mechanisms in vivo and in vitro, and will produce creative tools through the convergence of methods from research in interactive computational creativity, artificial intelligence, social sciences with the anthropology of improvised practices (collaboration with Marc Chemillier at\u00a0CAMS<\/a>\u00a0\/ EHESS), Machine Learning (Collaboration with Shlomo Dubnov at UCSD) and instrumental mixed reality systems (collaboration with the company\u00a0HyVibe<\/a>).<\/p>\n

Somax2<\/a>, Omax, Djazz and Dyci2 are REACH softwares that can be found on\u00a0https:\/\/github.com\/DYCI2<\/a><\/p>\n

Go to the REACH Research Page<\/p>\n\n\n

Team<\/h2>\n\n\n\n

G\u00e9rard Assayag PI<\/p>\n\n\n\n

Partners<\/p>\n\n\n\n

Shlomo Dubnov UCSD Co-Beneficiary PI
Marc Chemillier EHESS PI<\/p>\n\n\n\n

Researchers<\/p>\n\n\n\n

Marco Fiorini, Ircam
Mikhail Malt, Sorbonne Universit\u00e9, Ircam
Georges Bloch, Ircam
Pierre Saint-Germier, Ircam
Vincent Lostanlen, LS2N
Ross Greer, UCSD
Taylor Berg-Kirkpatrick, UCSD<\/p>\n\n\n\n

Engineers<\/p>\n\n\n\n

Joakim Borg, Ircam<\/p>\n\n\n\n

PhD Candidates<\/p>\n\n\n\n

    \n
  • Marco Fiorini, IRCAM<\/li>\n\n\n\n
  • Nicolas Brochec, Geidai Tokyo<\/li>\n\n\n\n
  • Orian Sharoni, IRCAM<\/li>\n\n\n\n
  • Yohann Rabearivelo, IRCAM\/EHESS<\/li>\n\n\n\n
  • Ke CHen, UCSD<\/li>\n\n\n\n
  • Vinesh Gokul, UCSD<\/li>\n\n\n\n
  • Tornike Karchkhadze, UCSD<\/li>\n\n\n\n
  • Jingwei Liu, UCSD<\/li>\n\n\n\n
  • Hao-Wen Dong, UCSD<\/li>\n\n\n\n
  • Gonzalo Romero, IRCAM<\/li>\n\n\n\n
  • Jingwei Liu, UCSD<\/li>\n<\/ul>\n\n\n\n

    Post-Docs<\/p>\n\n\n\n

      \n
    • Tristan Carsault, 2021-2022<\/li>\n\n\n\n
    • Daniel Brown, 2023-2024<\/li>\n\n\n\n
    • Sabina Covarrubias 2023-2024<\/li>\n\n\n\n
    • Jose-Miguel Fernandez 2023-2025<\/li>\n\n\n\n
    • Josephine Calendra 2024-2025<\/li>\n\n\n\n
    • Yuri Prado, EHESS 2021-2023<\/li>\n\n\n\n
    • Paul Lascabettes, Ircam, U. Strasbourg 2024-2025<\/li>\n\n\n\n
    • Josephine Calandra 2024-2025<\/li>\n<\/ul>\n\n\n\n

      Interns<\/p>\n\n\n\n

        \n
      • Ilian Ben-Amar, Intern Bsc (Aix Marseille U.), 2021<\/li>\n\n\n\n
      • Benjamin Feldman, Intern Engineering Sch., Centrale Supelec, 2021<\/li>\n\n\n\n
      • Pierre Thiel, Master ATIAM, 2022<\/li>\n\n\n\n
      • Seraphin Costa, Master U. Nantes, 2022<\/li>\n\n\n\n
      • Fran\u00e7ois Chauffard,licence PSL, stage d\u2019observation, 2022<\/li>\n\n\n\n
      • Merlin Chao, Ecole Centrale, 2024<\/li>\n\n\n\n
      • Gil Geva, Reichmann Institute, 2023<\/li>\n\n\n\n
      • Shakya Abeytunge, 2025<\/li>\n<\/ul>\n\n\n\n

        Research Visitors<\/p>\n\n\n\n

        Constantin Basica, Stanford
        Barbara Nerness, Stanford
        Georges Lewis, Columbia<\/p>\n\n\n\n

        Musicians<\/p>\n\n\n\n

          \n
        • Jo\u00eblle L\u00e9andre (residence)<\/li>\n\n\n\n
        • R\u00e9mi Fox<\/li>\n\n\n\n
        • Steve Lehman (residence)<\/li>\n\n\n\n
        • Bernard Lubat <\/li>\n\n\n\n
        • Georges Bloch<\/li>\n\n\n\n
        • Herv\u00e9 Sellin (residence)<\/li>\n\n\n\n
        • Benny Sluchin (residence)<\/li>\n\n\n\n
        • Pavlos Antoniadis<\/li>\n\n\n\n
        • Charles K\u00e9ly<\/li>\n\n\n\n
        • Jean-Brice Godet (residence)<\/li>\n\n\n\n
        • Lorenzo Colombo<\/li>\n\n\n\n
        • Jose-Miguel Fernandez<\/li>\n\n\n\n
        • Lara Morciano (residence)<\/li>\n\n\n\n
        • Alberto Gatti<\/li>\n\n\n\n
        • Turner Williams Jr<\/li>\n\n\n\n
        • Jean-marc Montera<\/li>\n\n\n\n
        • Gyorgy Kurtag Jr<\/li>\n\n\n\n
        • George Lewis<\/li>\n\n\n\n
        • Justin Vali<\/li>\n\n\n\n
        • Thierry Miroglio<\/li>\n\n\n\n
        • Li-Chin Li<\/li>\n\n\n\n
        • Aur\u00e9lien Grignoux<\/li>\n\n\n\n
        • Marco Antonio Suarez Cifuentes<\/li>\n\n\n\n
        • Nicolas Crosse<\/li>\n<\/ul>\n\n\n\n

          <\/p>\n","protected":false},"excerpt":{"rendered":"

          REACH : Raising Co-Creativity in Cyber-Human Musicianship This project has received funding from the European Research Council (ERC) under the European Union\u2019s Horizon 2020 research and innovation programme. Grant agreement #883313, ERC Advanced Grant awarded to G\u00e9rard Assayag, PI, with partners : Marc Chemillier (EHESS) and Shlomo Dubnov (UCSD). Read original article Digital cultures are […]<\/p>\n","protected":false},"author":2,"featured_media":450,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-61","page","type-page","status-publish","has-post-thumbnail","hentry"],"aioseo_notices":[],"blog_post_layout_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo-150x150.png",150,150,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo.png",527,480,false]},"categories_names":null,"comments_number":"0","wpmagazine_modules_lite_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo-150x150.png",150,150,true],"cvmm-medium":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo-300x300.png",300,300,true],"cvmm-medium-plus":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo-305x207.png",305,207,true],"cvmm-portrait":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo-400x480.png",400,480,true],"cvmm-medium-square":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo.png",527,480,false],"cvmm-large":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo.png",527,480,false],"cvmm-small":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo-130x95.png",130,95,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/01\/reacherc-logo.png",527,480,false]},"_links":{"self":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/pages\/61","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":22,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/pages\/61\/revisions"}],"predecessor-version":[{"id":2805,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/pages\/61\/revisions\/2805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media\/450"}],"wp:attachment":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media?parent=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}