{"id":2561,"date":"2024-11-03T13:03:00","date_gmt":"2024-11-03T12:03:00","guid":{"rendered":"https:\/\/reach.ircam.fr\/?p=2561"},"modified":"2024-12-10T13:05:28","modified_gmt":"2024-12-10T12:05:28","slug":"variation-versus-bouclage-limprovisation-est-elle-soluble-dans-lelectro","status":"publish","type":"post","link":"https:\/\/reach.ircam.fr\/index.php\/2024\/11\/03\/variation-versus-bouclage-limprovisation-est-elle-soluble-dans-lelectro\/","title":{"rendered":"Variation versus bouclage. L’improvisation est-elle soluble dans l’\u00e9lectro ?"},"content":{"rendered":"\n

Marc ChemillierFranck Jedrzejewski; Carlos Lobo; Antonia Soulez\ufeff. \u00c9crire comme composer. Le r\u00f4le des diagrammes<\/em>, \u00c9ditions Delatour<\/a>, pp.77-90, 2021, Musique\/Philosophie, 9782752104267<\/p>\n\n\n\n

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Abstract: Les interfaces visuelles des logiciels musicaux sont des diagrammes dans un sens graphique, mais ce sont aussi des diagrammes dans un sens plus conceptuel car ils d\u00e9terminent une certaine mani\u00e8re de faire de la musique. Nous proposons dans cet article d’aborder sous l’angle de ce type de diagrammes les diff\u00e9rences esth\u00e9tiques qui distinguent deux genres musicaux, le jazz et les musiques \u00e9lectroniques, en discutant de la place de l’improvisation dans ces deux genres. Nous verrons que leur confrontation fait appara\u00eetre une rupture de paradigme dans la cr\u00e9ation musicale au cours de laquelle le jeu instrumental a \u00e9t\u00e9 supplant\u00e9 par des techniques de recyclage des donn\u00e9es audio. La conduite du discours dans la musique a en effet \u00e9t\u00e9 transf\u00e9r\u00e9e de ceux qui jouent des instruments vers ceux qui manipulent des outils informatiques. En particulier l’op\u00e9ration de bouclage, qui est favoris\u00e9e dans les musiques \u00e9lectroniques par l’usage des \u00ab diagrammes \u00bb que constituent les interfaces des logiciels, se ram\u00e8ne \u00e0 un acte de s\u00e9lection qui peut \u00eatre consid\u00e9r\u00e9 comme une sorte d’optimisation du contenu musical. Les al\u00e9as de l’improvisation, et ses \u00e9clairs de g\u00e9nie, tendent \u00e0 se dissoudre dans ce processus de rationalisation.<\/p>\n\n\n\n

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Marc ChemillierFranck Jedrzejewski; Carlos Lobo; Antonia Soulez\ufeff. \u00c9crire comme composer. Le r\u00f4le des diagrammes, \u00c9ditions Delatour, pp.77-90, 2021, Musique\/Philosophie, 9782752104267 Read full publication. Abstract: Les interfaces visuelles des logiciels musicaux sont des diagrammes dans un sens graphique, mais ce sont aussi des diagrammes dans un sens plus conceptuel car ils d\u00e9terminent une certaine mani\u00e8re de […]<\/p>\n","protected":false},"author":3,"featured_media":2562,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46],"tags":[],"class_list":["post-2561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications-research"],"aioseo_notices":[],"blog_post_layout_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453-150x150.png",150,150,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453.png",1281,375,false]},"categories_names":{"46":{"name":"Publications","link":"https:\/\/reach.ircam.fr\/index.php\/category\/research\/publications-research\/"}},"tags_names":[],"comments_number":"0","wpmagazine_modules_lite_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453-150x150.png",150,150,true],"cvmm-medium":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453-300x300.png",300,300,true],"cvmm-medium-plus":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453-305x207.png",305,207,true],"cvmm-portrait":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453-400x375.png",400,375,true],"cvmm-medium-square":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453-600x375.png",600,375,true],"cvmm-large":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453-1024x375.png",1024,375,true],"cvmm-small":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453-130x95.png",130,95,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-10-130453.png",1281,375,false]},"_links":{"self":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/2561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/comments?post=2561"}],"version-history":[{"count":1,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/2561\/revisions"}],"predecessor-version":[{"id":2563,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/2561\/revisions\/2563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media\/2562"}],"wp:attachment":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media?parent=2561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/categories?post=2561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/tags?post=2561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}