{"id":2616,"date":"2024-12-23T19:00:37","date_gmt":"2024-12-23T18:00:37","guid":{"rendered":"https:\/\/reach.ircam.fr\/?p=2616"},"modified":"2024-12-23T19:02:25","modified_gmt":"2024-12-23T18:02:25","slug":"the-application-of-somax2-in-the-live-electronics-design-of-roberto-victorios-chronos-iiic-2","status":"publish","type":"post","link":"https:\/\/reach.ircam.fr\/index.php\/2024\/12\/23\/the-application-of-somax2-in-the-live-electronics-design-of-roberto-victorios-chronos-iiic-2\/","title":{"rendered":"The Application of Somax2 in the Live-Electronics Design of Roberto Vict\u00f3rio’s Chronos IIIc"},"content":{"rendered":"\n

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William Teixeira, Marco Fiorini, Mikhail Malt, G\u00e9rard Assayag. The Application of Somax2 in the Live-Electronics Design of Roberto Vict\u00f3rio’s Chronos IIIc.\u00a0Musica Hodie<\/em>, 2024, 24,\u00a0\u27e810.5216\/mh.v24.78611\u27e9<\/a>.\u00a0\u27e8hal-04760169\u27e9<\/a><\/p>\n\n\n\n

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Wililam Teixeira : \u00a0\u00bb Excited to share one of the big research achievements I could be part of. It was just published in Musica Hodie the article concerning \u00ab\u00a0The Application of Somax2 in the Live-Electronics Design of Roberto Vict\u00f3rio\u2019s Chronos IIIc\u00a0\u00bb, in which my IRCAM\u00a0@erc_reach<\/a>\u00a0fellows\u00a0@_marcofiorini<\/a>\u00a0, Mikhail Malt, G\u00e9rard Assayag, and I report the design of electronics for\u00a0@robertopvictorio<\/a>\u00a0‘s masterpiece Chronos III using Somax2, an AI system developed for real-time improvisation. I hope this could be useful for musicians in general and composers in particular, pointing to some creative paths these new technologies can lead us to. <\/p>\n\n\n\n

Available in: <\/p>\n\n\n\n

https:\/\/revistas.ufg.br\/musica\/article\/view\/78611\/41253?fbclid=IwY2xjawHOYL1leHRuA2FlbQIxMQABHf6CZampsW7CRbJuTojGv-2DaptXDAAfgyTHVSx6C5RazQU81a-CokUibw_aem_Fr_9vcn6GHMMwYXtMS_PqQ<\/a><\/p>\n\n\n\n

and<\/p>\n\n\n\n

https:\/\/hal.science\/hal-04760169v1<\/a><\/p>\n\n\n\n

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\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

William Teixeira, Marco Fiorini, Mikhail Malt, G\u00e9rard Assayag. The Application of Somax2 in the Live-Electronics Design of Roberto Vict\u00f3rio’s Chronos IIIc.\u00a0Musica Hodie, 2024, 24,\u00a0\u27e810.5216\/mh.v24.78611\u27e9.\u00a0\u27e8hal-04760169\u27e9 Wililam Teixeira : \u00a0\u00bb Excited to share one of the big research achievements I could be part of. It was just published in Musica Hodie the article concerning \u00ab\u00a0The Application of […]<\/p>\n","protected":false},"author":2,"featured_media":1444,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46],"tags":[],"class_list":["post-2616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications-research"],"aioseo_notices":[],"blog_post_layout_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18-150x150.png",150,150,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18.png",1986,1120,false]},"categories_names":{"46":{"name":"Publications","link":"https:\/\/reach.ircam.fr\/index.php\/category\/research\/publications-research\/"}},"tags_names":[],"comments_number":"0","wpmagazine_modules_lite_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18-150x150.png",150,150,true],"cvmm-medium":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18-300x300.png",300,300,true],"cvmm-medium-plus":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18-305x207.png",305,207,true],"cvmm-portrait":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18-400x600.png",400,600,true],"cvmm-medium-square":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18-600x600.png",600,600,true],"cvmm-large":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18-1024x1024.png",1024,1024,true],"cvmm-small":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18-130x95.png",130,95,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-26-at-09.36.18.png",1986,1120,false]},"_links":{"self":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/2616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/comments?post=2616"}],"version-history":[{"count":1,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/2616\/revisions"}],"predecessor-version":[{"id":2622,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/2616\/revisions\/2622"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media\/1444"}],"wp:attachment":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media?parent=2616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/categories?post=2616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/tags?post=2616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}