{"id":3055,"date":"2026-05-19T12:07:31","date_gmt":"2026-05-19T10:07:31","guid":{"rendered":"https:\/\/reach.ircam.fr\/?p=3055"},"modified":"2026-05-25T20:47:16","modified_gmt":"2026-05-25T18:47:16","slug":"improtechparis-2025-lectures-videos-available","status":"publish","type":"post","link":"https:\/\/reach.ircam.fr\/index.php\/2026\/05\/19\/improtechparis-2025-lectures-videos-available\/","title":{"rendered":"Improtech@Paris 2025 Lectures Videos Available"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Organized as part of the European <a href=\"http:\/\/reach.ircam.fr\" target=\"_blank\" rel=\"noopener\" title=\"\">REACH<\/a> project, the <a href=\"http:\/\/improtech.ircam.fr\" target=\"_blank\" rel=\"noopener\" title=\"\">Improtech international workshop-festival <\/a>combines the universal art of improvisation with digital intelligence and AI culture through a series of conferences, interdisciplinary workshops, installations, performances, and concerts. After traveling across three continents and bringing together leading artists and science figures in the field, Improtech returned to Ircam, its alma mater,  in December 2025, for <a href=\"http:\/\/improtech.ircam.fr\/ikparis\" target=\"_blank\" rel=\"noopener\" title=\"\">an extraordinary edition<\/a> focusing  on the relation between improvisation, composition and spatiality, with a special tribute to the great composer and Music AI Pioneer George Lewis.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><a href=\"https:\/\/improtech.ircam.fr\/ikparis\/pages\/programme.html\" target=\"_blank\" rel=\"noopener\" title=\"\">Complete Lectures Program<\/a> <\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">December 4, 2025,  <a href=\"https:\/\/improtech.ircam.fr\/ikparis\/pages\/programme.html#december-4-thursday-lectures\" title=\"\">Lectures 1<\/a>, Stravinsky Hall, Ircam, Paris<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Improtech @Paris2025 #1 \/ Conf\u00e9rences\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8BGwr2WaclM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p data-wp-context---core-fit-text=\"core\/fit-text::{&quot;fontSize&quot;:&quot;&quot;}\" data-wp-init---core-fit-text=\"core\/fit-text::callbacks.init\" data-wp-interactive data-wp-style--font-size=\"core\/fit-text::context.fontSize\" class=\"has-fit-text wp-block-paragraph\"><strong>Mixed Initiative Co-Creative Design for Long-Term Human-AI Musical Partnership<\/strong><br>Ken Deguernel, CNRS, Laboratoire CRISTAL Lille<br><strong>Generative Spatial Synthesis of Sound and Music (ERC G3S)<\/strong><br>Alain Bonardi, Universit\u00e9 Paris 8 \u2013 CICM \/ MUSIDANSE \u2013 Projet ERC G3S, Emma Frid, Universit\u00e9 Paris 8 \u2013 CICM \/ MUSIDANSE \u2013 Projet ERC G3S<br>Paul Goutmann, Universit\u00e9 Paris 8 \u2013 CICM \/ MUSIDANSE \u2013 Projet ERC G3S<br>Axel Chemla-Romeu-Santos, Universit\u00e9 Paris 8 \u2013 CICM \/ MUSIDANSE \u2013 Projet ERC G3S<br><strong>Somax2 for Live Visual Music: Co-Improvisation with Creative Agents<\/strong><br>Sabina Covarrubias, digital artist, Synesthesic Devices founder<br><strong>The meaning of \u00ab co \u00bb in \u00ab co-creative \u00bb<\/strong><br>Pierre Saint-Germier, CNRS, Ircam<br><strong>Gestures in Electronic Improvised Music<\/strong><br>Pierre Couprie, Evry Paris-Saclay University<br><strong>Real-Time Recognition of Instrumental Playing Techniques for Composition and CoCreative Interaction<\/strong><br>Nicolas Brochec, Phd researcher (Geidai University Tokyo)<br>Marco Fiorini, PhD researcher (Ircam, Sorbonne University)d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">December 5, 2025,  <a href=\"https:\/\/improtech.ircam.fr\/ikparis\/pages\/programme.html#december-5-friday-lectures\" title=\"\">Lectures 2<\/a>, Stravinsky Hall, Ircam, Paris<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Improtech @Paris2025 #3 \/ Conf\u00e9rences\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/99WelW6sleI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p data-wp-context---core-fit-text=\"core\/fit-text::{&quot;fontSize&quot;:&quot;&quot;}\" data-wp-init---core-fit-text=\"core\/fit-text::callbacks.init\" data-wp-interactive data-wp-style--font-size=\"core\/fit-text::context.fontSize\" class=\"has-fit-text wp-block-paragraph\"><strong>The Odd Couple &#8211; Human &amp; AI Making Music in the Moment<\/strong><br>Oded Ben Tal, Kingston University, London<br>David Dolan, Guildhall School of Music &amp; Drama London<br><strong>Unity Interfaces for Djazz and Somax: Ludic and Narrative Perspectives on Musical Machine Co-creativity<\/strong><br>Daniel Brown, University de Picardie<br>Steve Horowitz, Composer<br><strong>Transmettre son style \u00e0 l&rsquo;IA : r\u00e9cit d&rsquo;une collaboration improbable<\/strong><br>Jean-R\u00e9my Gu\u00e9don, composer, performer<br><strong>Composition and improvisation in contemporary opera<\/strong><br>Sivan Eldar, composer<br>Jean-Louis Giavitto, CNRS, Ircam<br>Augustin Muller, computer music designer (Ircam, Le Balcon)<br><strong>Evaluation of AI based improvisation systems<\/strong><br>Gilbert Nouno, Haute Ecole de Musique de Gen\u00e8ve, <br>Christophe Fellay, \u00c9cole de design et Haute \u00e9cole d&rsquo;art du Valais, <br>Nathalie H\u00e9rold, IReMus &#8211; Sorbonne Universit\u00e9<br>Pierre Alexandre Tremblay, Conservatorio della Svizzera italiana<br><strong>Extensymbiosis \u2014 The Audio\u2013Visually Augmented Trumpet and Multi-modal Corpus-based Synthesis as a Shared Instrument<\/strong><br>Nicolas Souchal, PhD researcher (Ircam) Diemo Schwartz, Ircam<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">December 4, 2025,  <a href=\"https:\/\/improtech.ircam.fr\/ikparis\/pages\/programme.html#december-4-thursday-workshops\" title=\"\">Workshops 1<\/a>, Stravinsky Hall, Ircam, Paris<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Improtech @Paris2025 #2 \/ Conf\u00e9rences\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/5BJLdqXzM98?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PURE MALT: Augmented Improvisations, from instrumental gesture to telematics<\/strong><br>Mikhail Malt, composer, Somax2 AI Agents, live electronics, telematics<br>Cassia Carrascoza, flute, telematics (Universidade de S\u00e3o Paulo)<br>Li-Chin Li, sheng<br><strong>TikTok Djam<\/strong><br>Yohann Rabearivelo, PhD researcher (EHESS)<br>Ulysse Roussel, PhD researcher (Sorbonne University)<br>Martin Mahieu, musician<br>Heny Zouari, violin, PhD researcher (EHESS)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Organized as part of the European REACH project, the Improtech international workshop-festival combines the universal art of improvisation with digital intelligence and AI culture through a series of conferences, interdisciplinary workshops, installations, performances, and concerts. After traveling across three continents and bringing together leading artists and science figures in the field, Improtech returned to Ircam, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2970,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[52,43,47],"tags":[],"class_list":["post-3055","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conferences","category-events","category-workshops"],"aioseo_notices":[],"blog_post_layout_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1-150x150.png",150,150,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1.png",1216,1508,false]},"categories_names":{"52":{"name":"Conferences","link":"https:\/\/reach.ircam.fr\/index.php\/category\/research\/conferences\/"},"43":{"name":"Events","link":"https:\/\/reach.ircam.fr\/index.php\/category\/events\/"},"47":{"name":"Workshops","link":"https:\/\/reach.ircam.fr\/index.php\/category\/research\/workshops\/"}},"tags_names":[],"comments_number":"0","wpmagazine_modules_lite_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1-150x150.png",150,150,true],"cvmm-medium":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1-300x300.png",300,300,true],"cvmm-medium-plus":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1-305x207.png",305,207,true],"cvmm-portrait":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1-400x600.png",400,600,true],"cvmm-medium-square":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1-600x600.png",600,600,true],"cvmm-large":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1-1024x1024.png",1024,1024,true],"cvmm-small":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1-130x95.png",130,95,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2025\/10\/Visuel-improtech-web-ircam-1.png",1216,1508,false]},"_links":{"self":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/3055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/comments?post=3055"}],"version-history":[{"count":2,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/3055\/revisions"}],"predecessor-version":[{"id":3092,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/3055\/revisions\/3092"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media\/2970"}],"wp:attachment":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media?parent=3055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/categories?post=3055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/tags?post=3055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}