{"id":3139,"date":"2026-06-11T23:21:51","date_gmt":"2026-06-11T21:21:51","guid":{"rendered":"https:\/\/reach.ircam.fr\/?p=3139"},"modified":"2026-06-11T23:21:54","modified_gmt":"2026-06-11T21:21:54","slug":"all-the-reach-publications","status":"publish","type":"post","link":"https:\/\/reach.ircam.fr\/index.php\/2026\/06\/11\/all-the-reach-publications\/","title":{"rendered":"All the REACH Publications"},"content":{"rendered":"\n
2026
Journal articles
Becoming a Player: The Ubiquitous Subjectivity of SoVo<\/a>
Marco Fiorini, George Lewis, G\u00e9rard Assayag, Damon Holzborn
Leonardo<\/em>, 2026, 59 (1), pp.17-23.\u00a0\u27e810.1162\/LEON.a.2580\u27e9<\/a>
DOI :\u00a010.1162\/LEON.a.2580<\/a>
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Conference papers
Automatic Hybrid Following in Real-Time Mixed Music: A Case Study with Antescofo and ipt\u02dc for Flute Playing Techniques<\/a>
Nicolas Brochec, Jean-Louis Giavitto
International Computer Music Conference (ICMC 2026)<\/em>, May 2026, Hamburg, Germany
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Theses
Advancing Human-Computer Interaction in Mixed Music: A Deep Learning Approach to Real-Time Instrumental Playing Technique Recognition<\/a>
Nicolas Brochec
Musicology and performing arts. Tokyo University of the Arts, 2026. English.\u00a0\u27e8NNT : \u27e9<\/a>
<\/a>\u00a0<\/a>
2025
Journal articles
More Cocreative Interaction\u00a0: Pulse-Based Improvisation with Djazz 2.0<\/a>
Daniel L Brown, Marc Chemillier, Jean-Louis Giavitto
Computer Music Journal<\/em>, In press
<\/a>
Human-AI musical interaction under an ethnomusicological perspective: the case of Djazz<\/a>
Marc Chemillier, Yuri Prado
Opus. Revista Eletr\u00f4nica da Associa\u00e7\u00e3o Nacional de Pesquisa e P\u00f3s-gradua\u00e7\u00e3o em M\u00fasica<\/em>, In press
<\/a>
Conference papers
Composition and improvisation in contemporary opera<\/a>
Jean-Louis Giavitto, Sivan Eldar, Augustin Muller
Improtech Paris 2025<\/em>, G\u00e9rard Assayag; Marc Chemillier; Marco Fiorini; Vasiliki Zachari, Dec 2025, Paris, France
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Generating Symbolic Music from Natural Language Prompts using an LLM-Enhanced Dataset<\/a>
Weihan Xu, Julian Mcauley, Taylor Berg-Kirkpatrick, Shlomo Dubnov, Hao-Wen Dong
International Society for Music Information Retrieval Conference (ISMIR)<\/em>, Sep 2025, Seoul, South Korea
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Synthesizing Composite Hierarchical Structure from Symbolic Music Corpora<\/a>
Ilana Shapiro, Ruanqianqian Huang, Zachary Novack, Cheng-I Wang, Hao-Wen Dong, Taylor Berg-Kirkpatrick, Shlomo Dubnov, Sorin Lerner
34th International Joint Conference on Artificial Intelligence (IJCAI)<\/em>, Aug 2025, Montreal, Canada
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Spatial Awareness and Influence for Co-Creative Agents: Introducing Automated Corpus Spatialization in Somax2<\/a>
Alberto M Gatti, Marco Fiorini
Sound and Music Computing Conference (SMC 2025)<\/em>, Jul 2025, Graz, Austria
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Introducing EG-IPT and ipt~: a novel electric guitar dataset and a new Max\/MSP object for real-time classification of instrumental playing techniques<\/a>
Marco Fiorini, Nicolas Brochec, Joakim Borg, Riccardo Pasini
New Interfaces for Musical Expression (NIME 2025)<\/em>, Jun 2025, Canberra, Australia.\u00a0\u27e810.5281\/zenodo.15205644\u27e9<\/a>
DOI :\u00a010.5281\/zenodo.15205644<\/a>
<\/a>\u00a0<\/a>
A First Implementation of Somax2 Behaviours Using MORFOS Form, Segmentation and Organisation<\/a>
Jos\u00e9phine Calandra, Marco Fiorini, G\u00e9rard Assayag
Journ\u00e9es d’Informatique Musicale (JIM)<\/em>, Jun 2025, Lyon, France
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Interactive Music Co-Creation with an Instrumental Technique-Aware System: A Case Study with Flute and Somax2<\/a>
Nicolas Brochec, Marco Fiorini, Mikhail Malt, G\u00e9rard Assayag
International Computer Music Conference (ICMC 2025)<\/em>, Jun 2025, Boston (MA), United States
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Hierarchisation algorithm for MORFOS : a music analysis software<\/a>
Jos\u00e9phine Calandra, Jean-Marc Chouvel, Myriam Desainte-Catherine
2025 International Computer Music Conference (ICMC 2025)<\/em>, Jun 2025, Boston, MA, United States
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Realizations & Expansions Performance Cases of an Open Work using Artificial Intelligence Generative Tools<\/a>
Mikhail Malt, Benny Sluchin
ICMC 2025<\/em>, Northeastern University, New England Conservatory, Berklee College of Music, Boston Conservatory at Berklee et Emerson College, Jun 2025, Boston (MA), United States
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Creating Travers\u00e9e II for Flute and Live Electronics Using Real-Time Playing Technique Recognition<\/a>
Nicolas Brochec
Japanese Society of Sonic Arts<\/em>, May 2025, Tokyo, Japan
<\/a>\u00a0<\/a>
kNN-SVC: Robust Zero-Shot Singing Voice Conversion with Additive Synthesis and Concatenation Smoothness Optimization<\/a>
Keren Shao, Ke Chen, Matthew Baas, Shlomo Dubnov
ICASSP 2025<\/em>, May 2025, Hyderabad, India.\u00a0\u27e810.48550\/arXiv.2504.05686\u27e9<\/a>
DOI :\u00a010.48550\/arXiv.2504.05686<\/a>
<\/a>\u00a0<\/a>
Simultaneous Music Separation and Generation Using Multi-Track Latent Diffusion Models<\/a>
Tornike Karchkhadze, Mohammad Rasool Izadi, Shlomo Dubnov
2025 IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2025)<\/em>, Apr 2025, Hyderabad, India
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Book sections
Agalma-IA<\/a>
G\u00e9rard Assayag
Jean-Louis Giavitto; Pierre Saint-Germier.\u00a0L\u2019Art au temps de l\u2019IA. G\u00e9n\u00e9rer, critiquer, cr\u00e9er<\/em>,\u00a0Editions du Centre Pompidou<\/a>, pp.81-86, 2025, 978-2-38654-016-5
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Preprints, Working Papers, …
Expressive Music Data Processing and Generation<\/a>
Jingwei Liu
2025
DOI :\u00a010.48550\/arXiv.2503.11896<\/a>
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Expressive Piano Generation in Moment Form<\/a>
Jingwei Liu
2025
<\/a>\u00a0<\/a>
Helmholtz Drum Machine: A Real-time Human-Computer Interactive Music System<\/a>
Jingwei Liu
2025
<\/a>\u00a0<\/a>
Expressive MIDI-format Piano Performance Generation<\/a>
Jingwei Liu
2025
DOI :\u00a010.48550\/arXiv.2408.00900<\/a>
<\/a>\u00a0<\/a>
Musical invariants\u00a0: the case of circularity in African music<\/a>
Marc Chemillier
2025
<\/a>
2024
Journal articles
The Application of Somax2 in the Live-Electronics Design of Roberto Vict\u00f3rio’s Chronos IIIc<\/a>
William Teixeira, Marco Fiorini, Mikhail Malt, G\u00e9rard Assayag
Musica Hodie<\/em>, 2024, 24,\u00a0\u27e810.5216\/mh.v24.78611\u27e9<\/a>
DOI :\u00a010.5216\/mh.v24.78611<\/a>
<\/a>\u00a0<\/a>
The smile of Velonjoro. Bi-musicality and the use of artificial intelligence in the analysis of Madagascar zither music<\/a>
Marc Chemillier
Analytical Approaches to African Music<\/em>, In press, 1 (1), https:\/\/africa.iftawm.org\/aaam-vol-1-iss-1-3\/
<\/a>
Entretien en hommage \u00e0 Jean Jamin<\/a>
Marc Chemillier
Gradhiva : revue d’histoire et d’archives de l’anthropologie\u00a0<\/em>, 2024, 37 (num\u00e9ro sp\u00e9cial Archives, \u00e9criture, fiction. Dans les pas de Jean Jamin), pp.132-139
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Conference papers
Interpreting Graphic Notation with MusicLDM: An AI Improvisation of Cornelius Cardew’s Treatise<\/a>
Tornike Karchkhadze, Keren Shao, Shlomo Dubnov
2024 IEEE International Conference on Big Data (Big Data)<\/em>, Dec 2024, Washington, D.C., United States
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Multi-Track MusicLDM: Towards Versatile Music Generation with Latent Diffusion Model \u22c6<\/a>
Tornike Karchkhadze, Mohammad Rasool Izadi, Ke Chen, Shlomo Dubnov, G\u00e9rard Assayag
EAI ArtsIT 2024<\/em>, Nov 2024, Abu DHABI, United Arab Emirates
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Evaluating Co-Creativity using Total Information Flow<\/a>
Vignesh Gokul, Chris Francis, Shlomo Dubnov
13th EAI International Conference ArtsIT<\/em>, Nov 2024, Abu Dhabi, United Arab Emirates
<\/a>\u00a0<\/a>
Being the Artificial Player: Good Practices in Collective Human-Machine Music Improvisation<\/a>
Marco Fiorini
EAI ArtsIT 2024<\/em>, Nov 2024, Abu Dhabi, United Arab Emirates
<\/a>\u00a0<\/a>
Creativity and Visual Communication from Machine to Musician: Sharing a Score through a Robotic Camera<\/a>
Ross Greer, Laura Fleig, Shlomo Dubnov
13th EAI ArtsIT Conference 2024<\/em>, New York University, Abu Dhabi, Nov 2024, Abu Dhabi, United Arab Emirates
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A New Dataset for Tag- and Text-based Controllable Symbolic Music Generation<\/a>
Weihan Xu, Julian McAuley, Taylor Berg-Kirkpatrick, Shlomo Dubnov, Hao-Wen Dong
ISMIR Late-Breaking Demos<\/em>, Nov 2024, San Francisco, United States
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The Maquette Monad<\/a>
Carlos Agon, Karim Haddad, Gonzalo Romero-Garc\u00eda
12th edition of the ACM SIGPLAN International Workshop on Functional Art, Music, Modelling and Design (FARM)<\/em>, Sep 2024, Milan, Italy
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Improving Generalization of Speech Separation in Real-World Scenarios: Strategies in Simulation, Optimization, and Evaluation<\/a>
Ke Chen, Jiaqi Su, Taylor Berg-Kirkpatrick, Shlomo Dubnov, Zeyu Jin
Proceedings of the Annual Conference of the International Speech Communication Association<\/em>, Sep 2024, Kos Island, Greece.\u00a0\u27e810.48550\/arXiv.2408.16126\u27e9<\/a>
DOI :\u00a010.48550\/arXiv.2408.16126<\/a>
<\/a>\u00a0<\/a>
OMM: an OpenMusic library for Mathematical Morphology<\/a>
Carlos Agon, Gonzalo Romero-Garc\u00eda, Isabelle Bloch
2024 International Computer Music Conference 2024<\/em>, Jul 2024, Seoul, South Korea
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Microphone-based Data Augmentation for Automatic Recognition of Instrumental Playing Techniques<\/a>
Nicolas Brochec, Tsubasa Tanaka, Will Howie
International Computer Music Conference (ICMC 2024)<\/em>, Jul 2024, Seoul, South Korea
<\/a>\u00a0<\/a>
Guiding Co-Creative Musical Agents through Real-Time Flute Instrumental Playing Technique Recognition<\/a>
Marco Fiorini, Nicolas Brochec
Sound and Music Computing Conference (SMC 2024)<\/em>, Jul 2024, Porto, Portugal
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What Are \u00ab\u00a0Good\u00a0\u00bb Rhythms? Generating Rhythms Based on the Properties Set Out in The Geometry of Musical Rhythm<\/a>
Paul Lascabettes, Isabelle Bloch
Mathematics and Computation in Music<\/em>, Jun 2024, Coimbra, Portugal. pp.45-57
<\/a>\u00a0<\/a>
A Model of\u00a0Scores as\u00a0Abstract Syntactic Trees<\/a>
Gonzalo Romero-Garc\u00eda, Carlos Ag\u00f3n, Isabelle Bloch
Mathematics and Computation in Music (9 th International conference MCM 2024)<\/em>, Jun 2024, Coimbra, Portugal. pp.268-279,\u00a0\u27e810.1007\/978-3-031-60638-0_21\u27e9<\/a>
DOI :\u00a010.1007\/978-3-031-60638-0_21<\/a>
<\/a>\u00a0<\/a>
A.I. Kombo\u00ef: Re-Imagining Xenakis’ Kombo\u00ef through Cyber-Human Co-Creative Improvisation Practice<\/a>
Marco Fiorini, Lorenzo Colombo
Journ\u00e9es d\u2019Informatique Musicale 2024<\/em>, May 2024, Marseille, France
<\/a>\u00a0<\/a>
Improvisio : towards a visual music improvisation tool for musicians in a cyber-human co-creation context<\/a>
Sabina Covarrubias Stms
Journ\u00e9es d’informatique musicale<\/em>, Micael Antunes; Jonathan Bell; Javier Elipe Gimeno; Myl\u00e8ne Gioffredo; Charles de Paiva Santana; Vincent Tiffon, May 2024, Marseille, France
<\/a>\u00a0<\/a>
Discovering Repeated Patterns From the Onsets in a Multidimensional Representation of Music<\/a>
Paul Lascabettes, Isabelle Bloch
Discrete Geometry and Mathematical Morphology<\/em>, Apr 2024, Florence, Italy. pp.192-203,\u00a0\u27e810.1007\/978-3-031-57793-2_15\u27e9<\/a>
DOI :\u00a010.1007\/978-3-031-57793-2_15<\/a>
<\/a>\u00a0<\/a>
Mathematical Morphology Applied to\u00a0Feature Extraction in\u00a0Music Spectrograms<\/a>
Gonzalo Romero-Garc\u00eda, Isabelle Bloch, Carlos Ag\u00f3n
Discrete Geometry and Mathematical Morphology 2024<\/em>, Apr 2024, Florence, Italy. pp.431-442,\u00a0\u27e810.1007\/978-3-031-57793-2_33\u27e9<\/a>
DOI :\u00a010.1007\/978-3-031-57793-2_33<\/a>
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MusicLDM: Enhancing Novelty in text-to-music Generation Using Beat-Synchronous mixup Strategies<\/a>
Ke Chen, Yusong Wu, Haohe Liu, Marianna Nezhurina, Taylor Berg-Kirkpatrick, Shlomo Dubnov
ICASSP 2024 – 2024 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)<\/em>, Apr 2024, Seoul, France. pp.1206-1210,\u00a0\u27e810.1109\/ICASSP48485.2024.10447265\u27e9<\/a>
DOI :\u00a010.1109\/ICASSP48485.2024.10447265<\/a>
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Binaural Sound Source Localization Using a Hybrid Time and Frequency Domain Model<\/a>
Gil Geva, Olivier Warusfel, Shlomo Dubnov, Tammuz Dubnov, Amir Amedi, Yacov Hel-Or
ICASSP 2024 – 2024 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)<\/em>, IEEE Signal Processing Society, Apr 2024, Seoul, South Korea. pp.8821-8825,\u00a0\u27e810.1109\/ICASSP48485.2024.10448005\u27e9<\/a>
DOI :\u00a010.1109\/ICASSP48485.2024.10448005<\/a>
<\/a>\u00a0<\/a>
Music Enhancement with Deep Filters: A Technical Report for the ICASSP 2024 Cadenza Challenge<\/a>
Keren Shao, Ke Chen, Shlomo Dubnov
2024 IEEE International Conference on Acoustics, Speech, and Signal Processing Workshops (ICASSPW)<\/em>, Apr 2024, Seoul, France. pp.119-120,\u00a0\u27e810.1109\/ICASSPW62465.2024.10626759\u27e9<\/a>
DOI :\u00a010.1109\/ICASSPW62465.2024.10626759<\/a>
<\/a>\u00a0<\/a>
Book sections
15. Game Theory and Formal Structure in Iannis Xenakis\u2019s Duel (1959)<\/a>
Mikhail Malt, Benny Sluchin
Sharon Kanach and Peter Nelson.\u00a0New Perspectives on Iannis Xenakis\u2019s Life, Work, and Legacies<\/em>, 1,\u00a0Open Book Publishers<\/a>, pp.253-272, 2024, 978-1-80511-229-7.\u00a0\u27e810.11647\/OBP.0390.17\u27e9<\/a>
DOI :\u00a010.11647\/OBP.0390.17<\/a>
<\/a>
32. Somax2 and Reinterpreting Iannis Xenakis<\/a>
Mikhail Malt, Benny Sluchin
Sharon Kanach and Peter Nelson.\u00a0Meta-Xenakis<\/em>, 1,\u00a0Open Book Publishers<\/a>, pp.537-542, 2024, New Perspectives on Iannis Xenakis\u2019s Life, Work, and Legacies,\u00a0\u27e810.11647\/OBP.0390.34\u27e9<\/a>
DOI :\u00a010.11647\/OBP.0390.34<\/a>
<\/a>
Other publications
Musique, combinatoire des mots et improvisation par ordinateur<\/a>
Marc Chemillier
2024
<\/a>\u00a0<\/a>
Proceedings
The corpus’ body. Embodied Interaction from Machine-Learning in Human-Machine Improvisation<\/a>
Pierre Saint-Germier, Cl\u00e9ment Canonne, Marco Fiorini
Artificial Intelligence and Musical Creativity 2024 (AIMC 2024)<\/em>, 2024
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Theses
Generative AI for Music and Audio<\/a>
Hao-Wen Dong
Sound [cs.SD]. University of California San Diego, 2024. English.\u00a0\u27e8NNT : \u27e9<\/a>
<\/a>\u00a0<\/a>
Co-Creativity and AI Ethics<\/a>
Vignesh Gokul
Computer Science [cs]. University of California San Diego, 2024. English.\u00a0\u27e8NNT : \u27e9<\/a>
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Preprints, Working Papers, …
Computational Auditory Scene Analysis with Weakly Labelled Data<\/a>
Qiuqiang Kong, Ke Chen, Haohe Liu, Xingjian Du, Taylor Berg-Kirkpatrick, Shlomo Dubnov, Mark D Plumbley
2024
DOI :\u00a010.48550\/arXiv.2305.07447<\/a>
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Le langage harmonique d’Hermeto Pascoal et son apprentissage par une intelligence artificielle<\/a>
Marc Chemillier, Jean-Pierre Cholleton
2024
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2023
Journal articles
Valeur de la musique sur TikTok et nouvelles pratiques musicales Value of music on TikTok and new musical practices<\/a>
Chemillier Marc, Rabearivelo Yohann
Volume ! La revue des musiques populaires<\/em>, 2023, 20 (1), pp.107-121.\u00a0\u27e810.4000\/volume.11635\u27e9<\/a>
DOI :\u00a010.4000\/volume.11635<\/a>
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Switching Machine Improvisation Models by Latent Transfer Entropy Criteria<\/a>
Shlomo Dubnov, Vignesh Gokul, Gerard Assayag
Physical Sciences Forum<\/em>, 2023, pp.49.\u00a0\u27e810.3390\/psf2022005049\u27e9<\/a>
DOI :\u00a010.3390\/psf2022005049<\/a>
<\/a>
Switching Machine Improvisation Models by Latent Transfer Entropy Criteria<\/a>
Shlomo Dubnov, Vignesh Gokul, G\u00e9rard Assayag
Physical Sciences Forum<\/em>, 2023, 5 (1), pp.49.\u00a0\u27e810.3390\/psf2022005049\u27e9<\/a>
DOI :\u00a010.3390\/psf2022005049<\/a>
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L’hybridit\u00e9 vue \u00e0 partir du sujet : le cas du musicien franco-malgache Charles Kely Zana-Rotsy<\/a>
Marc Chemillier, Yuri Prado
Cahiers d’ethnomusicologie<\/em>, 2023, 36, pp.125-143
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Conference papers
\u201cI sing the body algorithmic\u201d Machine Learning and Embodiment in Human-Machine collective music-making<\/a>
Pierre Saint-Germier
Philosophy of AI<\/em>, Dec 2023, Erlangen, Germany
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Equipping Pretrained Unconditional Music Transformers with Instrument and Genre Controls<\/a>
Weihan Xu, Julian McAuley, Shlomo Dubnov, Hao-Wen Dong
IEEE Big Data Workshop on AI Music Generation (AIMG)<\/em>, Dec 2023, Sorrento, Italy
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Towards Improving Harmonic Sensitivity and Prediction Stability for Singing Melody Extraction<\/a>
Keren Shao, Ke Chen, Taylor Berg-Kirkpatrick, Shlomo Dubnov
Proceedings of the 24th International Society for Music Information Retrieval Conference<\/em>, Nov 2023, Milan, Italy
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Toward Real-Time Recognition of Instrumental Playing Techniques for Mixed Music: A Preliminary Analysis<\/a>
Nicolas Brochec, Tsubasa Tanaka
International Computer Music Conference (ICMC 2023)<\/em>, Oct 2023, Shenzhen, China
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Retrieval Guided Music Captioning via Multimodal Prefixes<\/a>
Nikita Srivatsan, Ke Chen, Shlomo Dubnov, Taylor Berg-Kirkpatrick
Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}<\/em>, Aug 2023, Jeju, South Korea. pp.7762-7770,\u00a0\u27e810.24963\/ijcai.2024\/859\u27e9<\/a>
DOI :\u00a010.24963\/ijcai.2024\/859<\/a>
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Somax2 \u2013 A Distributed Co-Creative System for Human-Machine Co-Improvisation<\/a>
Marco Fiorini, Mikhail Malt
Proceedings of the Second International Conference on Hybrid Human-Artificial Intelligence<\/em>, Jun 2023, Munich, Germany.\u00a0\u27e810.3233\/FAIA230106\u27e9<\/a>
DOI :\u00a010.3233\/FAIA230106<\/a>
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Large-Scale Contrastive Language-Audio Pretraining with Feature Fusion and Keyword-to-Caption Augmentation<\/a>
Yusong Wu, Ke Chen, Tianyu Zhang, Yuchen Hui, Taylor Berg-Kirkpatrick, Shlomo Dubnov
ICASSP 2023 – 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)<\/em>, Jun 2023, Rhodes Island, France. pp.1-5,\u00a0\u27e810.1109\/ICASSP49357.2023.10095969\u27e9<\/a>
DOI :\u00a010.1109\/ICASSP49357.2023.10095969<\/a>
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Multitrack Music Transformer<\/a>
Hao-Wen Dong, Ke Chen, Shlomo Dubnov, Julian Mcauley, Taylor Berg-Kirkpatrick
ICASSP 2023 – 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)<\/em>, Jun 2023, Rhodes Island, France. pp.1-5,\u00a0\u27e810.1109\/ICASSP49357.2023.10094628\u27e9<\/a>
DOI :\u00a010.1109\/ICASSP49357.2023.10094628<\/a>
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Multitrack Music Transformer<\/a>
Hao-Wen Dong, Ke Chen, Shlomo Dubnov, Julian McAuley, Taylor Berg-Kirkpatrick
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP)<\/em>, Jun 2023, Rhodes Island, Greece
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Other publications
Cyber-improvisations et cocr\u00e9ativit\u00e9, quand le jazz joue avec les machines<\/a>
G\u00e9rard Assayag, Marc Chemillier, Bernard Lubat
2023, pp.38-39
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2022
Journal articles
Cocreative Interaction: Somax2 and the REACH Project<\/a>
G\u00e9rard Assayag, Laurent Bonnasse-Gahot, Joakim Borg
Computer Music Journal<\/em>, 2022, 46 (4), pp.7-25.\u00a0\u27e810.1162\/comj_a_00662\u27e9<\/a>
DOI :\u00a010.1162\/comj_a_00662<\/a>
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Deep Music Information Dynamics<\/a>
Shlomo Dubnov, Ke Chen, Kevin Huang
Journal of Creative Music Systems<\/em>, 2022, 1 (1),\u00a0\u27e810.5920\/jcms.894\u27e9<\/a>
DOI :\u00a010.5920\/jcms.894<\/a>
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Conference papers
Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments<\/a>
Ke Chen, Hao-Wen Dong, Yi Luo, Julian Mcauley, Taylor Berg-Kirkpatrick, Miller Puckette, Shlomo Dubnov
Proceedings of the 23rd International Society for Music Information Retrieval Conference<\/em>, Dec 2022, Bengaluru, India.\u00a0\u27e810.48550\/arXiv.2209.02871\u27e9<\/a>
DOI :\u00a010.48550\/arXiv.2209.02871<\/a>
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Bi-musicality in the Age of Artificial Intelligence<\/a>
Marc Chemillier
Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS)<\/em>, Filippo Bonini Baraldi, Oct 2022, Barcelona, Spain
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Creative Improvised Interaction with Generative Musical Systems<\/a>
Shlomo Dubnov, G\u00e9rard Assayag, Vignesh Gokul
2022 IEEE 5th International Conference on Multimedia Information Processing and Retrieval (MIPR)<\/em>, IEEE, Aug 2022, CA (virtual), United States. pp.121-126,\u00a0\u27e810.1109\/MIPR54900.2022.00028\u27e9<\/a>
DOI :\u00a010.1109\/MIPR54900.2022.00028<\/a>
<\/a>\u00a0<\/a>
Mathematical Morphology Operators for Harmonic Analysis<\/a>
Gonzalo Romero-Garc\u00eda, Isabelle Bloch, Carlos Agon
MCM 2022 – 8th International Conference Mathematics and Computation in Music<\/em>, Jun 2022, Atlanta, United States. pp.255-266,\u00a0\u27e810.1007\/978-3-031-07015-0_21\u27e9<\/a>
DOI :\u00a010.1007\/978-3-031-07015-0_21<\/a>
<\/a>\u00a0<\/a>
Computational Analysis of Musical Structures based on Morphological Filters<\/a>
Paul Lascabettes, Carlos Agon, Moreno Andreatta, Isabelle Bloch
MCM 2022 – 8th International Conference Mathematics and Computation in Music<\/em>, Jun 2022, Atlanta, United States. pp.267-278,\u00a0\u27e810.1007\/978-3-031-07015-0_22\u27e9<\/a>
DOI :\u00a010.1007\/978-3-031-07015-0_22<\/a>
<\/a>\u00a0<\/a>
Observing Musical Communities Dedicated to Improvisation and Duet Practice on TikTok Using Web Scraping<\/a>
Marc Chemillier, Yohann Rabearivelo, R\u00e9mi Jaylet
TikTok-Music-Cultures Perspectives on the Study of Musicking Practices On & Through TikTok<\/em>, Juan Berm\u00fadez; Ylva Hintersteiner; Emma Schrott, May 2022, Vienne, Austria
<\/a>\u00a0<\/a>
HTS-AT: A Hierarchical Token-Semantic Audio Transformer for Sound Classification and Detection<\/a>
Ke Chen, Xingjian Du, Bilei Zhu, Zejun Ma, Taylor Berg-Kirkpatrick, Shlomo Dubnov
ICASSP 2022 – 2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)<\/em>, May 2022, Singapore, France. pp.646-650,\u00a0\u27e810.1109\/ICASSP43922.2022.9746312\u27e9<\/a>
DOI :\u00a010.1109\/ICASSP43922.2022.9746312<\/a>
<\/a>\u00a0<\/a>
A posthumous improvisation by Toots Thielemans<\/a>
Marc Chemillier, Shlomo Dubnov, Ke Chen, Mikhail Malt, G\u00e9rard Assayag
Toots Thielemans (1922-2016). A Century of Music across Europe and America<\/em>, May 2022, Bruxelles, Belgium
<\/a>\u00a0<\/a>
Zero-Shot Audio Source Separation through Query-Based Learning from Weakly-Labeled Data<\/a>
Ke Chen, Xingjian Du, Bilei Zhu, Zejun Ma, Taylor Berg-Kirkpatrick, Shlomo Dubnov
Proceedings of the AAAI Conference on Artificial Intelligence<\/em>, 2022, Remote Conference, France. pp.4441-4449,\u00a0\u27e810.1609\/aaai.v36i4.20366\u27e9<\/a>
DOI :\u00a010.1609\/aaai.v36i4.20366<\/a>
<\/a>\u00a0<\/a>
Poster communications
Machine-man Co-improvisation: Incursion of Djazz in Flamenco<\/a>
S\u00e9raphin Costa, Dominique Costa, Mikhail Malt, Marc Chemillier, G\u00e9rard Assayag
SOMOS, The Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences<\/em>, Oct 2022, Barcelone, France. 2022
<\/a>\u00a0<\/a>
Somax 2 a Reactive Multi-Agent Environment for Co-Improvisation<\/a>
Joakim Borg, G\u00e9rard Assayag, Mikhail Malt
SMC 2022 – Sound Music & Computing<\/em>, Jun 2022, Saint-\u00c9tienne, France. Proceedings of the 19th Sound and Music Computing Conference, 2022
<\/a>\u00a0<\/a>
Reports
Dicy2 for Max<\/a>
J\u00e9r\u00f4me Nika, Augustin Muller, Joakim Borg, G\u00e9rard Assayag, Matthew Ostrowski
Ircam UMR STMS 9912. 2022
<\/a>\u00a0<\/a>
Dicy2 for Ableton Live<\/a>
J\u00e9r\u00f4me Nika, Augustin Muller, Joakim Borg, Manuel Poletti, G\u00e9rard Assayag
Ircam. 2022
<\/a>\u00a0<\/a>
2021
Journal articles
Combining Real-Time Extraction and Prediction of Musical Chord Progressions for Creative Applications<\/a>
Tristan Carsault, J\u00e9r\u00f4me Nika, Philippe Esling, G\u00e9rard Assayag
Electronics<\/em>, 2021, 10 (21), pp.2634.\u00a0\u27e810.3390\/electronics10212634\u27e9<\/a>
DOI :\u00a010.3390\/electronics10212634<\/a>
<\/a>\u00a0<\/a>
With, against, or without? Familiarity and copresence increase interactional dissensus and relational plasticity in freely improvising duos.<\/a>
Ali\u00e9nor Golvet, Louise Goupil, Pierre Saint-Germier, Benjamin Matuszewski, G\u00e9rard Assayag, J\u00e9r\u00f4me Nika, Cl\u00e9ment Canonne
Psychology of Aesthetics, Creativity, and the Arts<\/em>, 2021, 18 (2), pp.182.\u00a0\u27e810.1037\/aca0000422\u27e9<\/a>
DOI :\u00a010.1037\/aca0000422<\/a>
<\/a>\u00a0<\/a>
Conference papers
Composing Structured Music Generation Processes with Creative Agents<\/a>
J\u00e9r\u00f4me Nika, Jean Bresson
2nd Joint Conference on AI Music Creativity (AIMC)<\/em>, 2021, Graz, Austria
<\/a>\u00a0<\/a>
Book sections
Jazz and Artificial Intelligence : From Presence to Traces<\/a>
Marc Chemillier
In Bernard Lubat, G\u00e9rard Assayag, Marc Chemillier. Artisticiel \/ Cyber-Improvisations. Phonofaune, 2021, Dialogiques d’Uzeste.<\/em>, 2021
<\/a>\u00a0<\/a>
Human-Machine Co-Creativity<\/a>
G\u00e9rard Assayag
in Bernard Lubat, G\u00e9rard Assayag, Marc Chemillier. Artisticiel \/ Cyber-Improvisations. Phonofaune, 2021, Dialogiques d’Uzeste. \u27e8hal-03542917\u27e9<\/em>, 2021
<\/a>\u00a0<\/a>
Co-Creation: Early Steps and Future Prospects<\/a>
George Lewis
In Bernard Lubat, G\u00e9rard Assayag, Marc Chemillier. Artisticiel \/ Cyber-Improvisations. Phonofaune, 2021, Dialogiques d’Uzeste.<\/em>, 2021
<\/a>\u00a0<\/a>
Variation versus bouclage. L’improvisation est-elle soluble dans l’\u00e9lectro ?<\/a>
Marc Chemillier
Franck Jedrzejewski; Carlos Lobo; Antonia Soulez.\u00a0\u00c9crire comme composer. Le r\u00f4le des diagrammes<\/em>,\u00a0\u00c9ditions Delatour<\/a>, pp.77-90, 2021, Musique\/Philosophie, 9782752104267
<\/a>\u00a0<\/a>
Books
Artisticiel \/ Cyber-Improvisations<\/a>
Bernard Lubat, G\u00e9rard Assayag, Marc Chemillier
Association Improvisation Musicale et Technologie. Phonofaune, 2021, Dialogiques d’Uzeste, Bernard Lubat
<\/a>
2020
Conference papers
GEOMETRIC-BASED EXTENSIONS TO THE TIME-BRACKETS NOTATION, JOHN CAGE AND BEYOND\u2026<\/a>
Mikhail Malt, Benny Sluchin
Journ\u00e9es d’informatique Musicale 2020<\/em>, MISHA – Universit\u00e9 de Strasbourg, Oct 2020, Strasbourg (100% virtuel), France
<\/a>\u00a0<\/a>
2019
Conference papers
Organigrammes informatiques\u00a0: pr\u00e9sence humaine et intelligence artificielle dans les arts et la culture<\/a>
Marc Chemillier
Organigrammes. L\u2019art face aux mondes complexes<\/em>, Institut ACTE, Universit\u00e9 Paris 1-Panth\u00e9on-Sorbonne, Nov 2019, Paris – Universit\u00e9 Paris 1 Panth\u00e9on Sorbonne, France
<\/a>\u00a0<\/a>
Book sections
Cats, jazz et machines : jouer avec ou sans clic<\/a>
Marc Chemillier
Sylvie Chalaye; Pierre Letessier.\u00a0Animal, jazz, machine<\/em>,\u00a0Passage(s)<\/a>, pp.149-161, 2019, Esth\u00e9tique jazz, 1094898708
<\/a>\u00a0<\/a>
2018
Journal articles
The creation of resilient Roma cultural heritage. Case study of a bottom-up initiative from North-Eastern Hungary<\/a>
Eszter Gy\u00f6rgy, G\u00e1bor Ol\u00e1h
Socio.hu t\u00e1rsadalomtudom\u00e1nyi szemle : social science review<\/em>, 2018, Special Issue, pp.37-50.\u00a0\u27e810.18030\/socio.hu.2018en.31\u27e9<\/a>
DOI :\u00a010.18030\/socio.hu.2018en.31<\/a>
<\/a>
Conference papers
Participatory strategies in the making of mountain environment as tourist and common heritage<\/a>
Steve Hagimont
Resilient Cultural Heritage and Communities in Europe Opening Conference<\/em>, May 2018, Budapest, Hungary
<\/a><\/summary>\n

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