{"id":984,"date":"2023-03-02T17:10:18","date_gmt":"2023-03-02T16:10:18","guid":{"rendered":"https:\/\/reach.ircam.fr\/?p=984"},"modified":"2024-02-29T17:14:14","modified_gmt":"2024-02-29T16:14:14","slug":"switching-machine-improvisation-models-by-latent-transfer-entropy-criteria","status":"publish","type":"post","link":"https:\/\/reach.ircam.fr\/index.php\/2023\/03\/02\/switching-machine-improvisation-models-by-latent-transfer-entropy-criteria\/","title":{"rendered":"Switching Machine Improvisation Models by Latent Transfer Entropy Criteria"},"content":{"rendered":"\t\t
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Shlomo Dubnov, Vignesh Gokul, G\u00e9rard Assayag. Switching Machine Improvisation Models by Latent Transfer Entropy Criteria. Physical Sciences Forum, 2023, 5 (1), pp.49. ff10.3390\/psf2022005049ff.<\/span>ffhal-04010744<\/span><\/p>\n

Full publication<\/a><\/p>\n

Abstract<\/strong>: Music improvisation is the ability of musical generative systems to interact with either another music agent or a human improviser. This is a challenging task, as it is not trivial to define a quantitative measure that evaluates the creativity of the musical agent. It is also not feasible to create huge paired corpora of agents interacting with each other to train a critic system. In this paper we consider the problem of controlling machine improvisation by switching between several pre-trained models by finding the best match to an external control signal. We introduce a measure SymTE that searches for the best transfer entropy between representations of the generated and control signals over multiple generative models.<\/p>\n

<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Shlomo Dubnov, Vignesh Gokul, G\u00e9rard Assayag. Switching Machine Improvisation Models by Latent Transfer Entropy Criteria. Physical Sciences Forum, 2023, 5 (1), pp.49. ff10.3390\/psf2022005049ff.ffhal-04010744 Full publication Abstract: Music improvisation is the ability of musical generative systems to interact with either another music agent or a human improviser. This is a challenging task, as it is not trivial […]<\/p>\n","protected":false},"author":2,"featured_media":986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46],"tags":[],"class_list":["post-984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications-research"],"aioseo_notices":[],"blog_post_layout_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652-150x150.png",150,150,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652.png",1541,471,false]},"categories_names":{"46":{"name":"Publications","link":"https:\/\/reach.ircam.fr\/index.php\/category\/research\/publications-research\/"}},"tags_names":[],"comments_number":"0","wpmagazine_modules_lite_featured_media_urls":{"thumbnail":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652-150x150.png",150,150,true],"cvmm-medium":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652-300x300.png",300,300,true],"cvmm-medium-plus":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652-305x207.png",305,207,true],"cvmm-portrait":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652-400x471.png",400,471,true],"cvmm-medium-square":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652-600x471.png",600,471,true],"cvmm-large":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652-1024x471.png",1024,471,true],"cvmm-small":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652-130x95.png",130,95,true],"full":["https:\/\/reach.ircam.fr\/wp-content\/uploads\/2024\/02\/Capture-decran-2024-02-29-170652.png",1541,471,false]},"_links":{"self":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/comments?post=984"}],"version-history":[{"count":7,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/984\/revisions"}],"predecessor-version":[{"id":993,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/posts\/984\/revisions\/993"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media\/986"}],"wp:attachment":[{"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/media?parent=984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/categories?post=984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reach.ircam.fr\/index.php\/wp-json\/wp\/v2\/tags?post=984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}