Improtech @ Uzeste concert videos are now online !
Improtech @ Uzeste features 3 beautiful concerts with more than 40 world class musicians on stage plus an ouverture performance in the Bernard Lubat « Estaminet » featuring his Artisticiel show : 6 hours of joyful and cutting edge improvised music with and without computer !
This year, Joëlle Léandre, Evan Parker, Benoit Delbecq, Jozef Dumoulin, Blonk Jaap, Justin Vali, Rob Frye, Maciek Lasserre, Gaston Bandimic, André Minvielle, Bernard Lubat, Cie Lubat / Uzeste Musical, Sylvain Luc, Mari Kimura, Hervé Sellin, Benny Sluchin, Turner Williams Jr., Raphaël Maurice Fmt, Rémi Georges, Marco Fiorini , Francesco Diodati , Lorenzo Colombo, Pavlos Antoniadis, Laurent Mariusse, Jean-Brice Godet, Jean-Marc Foussat, Jean-marc Montera, Nurith Aviv, Pierre Couprie, Kurtag György Jr, Marc Chemillier, Lucas Lemoine, Camel Zekri, Fabrice Vieira, Sabina Covarrubias, and many others offer a dazzling stage!
Improtech is both a music festival and an interdisciplinary workshop bringing together research and creative players from all over the world to promote musical improvisation in interaction with digital intelligences, in an approach based on human-machine co-creativity.
Following successful editions in New York, Philadelphia and Athens, Improtech @ Uzeste! (ikUzeste’23) will take place from August 11 to 13, 2023 in Uzeste, the beautiful Gascon village where the mythical Hestajada de las arts takes place, the music festival founded by Bernard Lubat, with which Improtech is associated this year. What’s more, it will be the tenth anniversary (postponed until this year) of Improtech’s creation in NYC in 2012.
Making an AI remix of Marina Satti 's ZARI combining Holly Herndon's holly.plus and IRCAM's Erc Reach Somax2, part of my lecture - performance at the Popular Music in Greece: International Research Collective conference in Delvinaki, Epirus, by the title "Surfing with Satti-oh-she on Pure Gold: Four case-studies for the Industry 4.0 political economy of musical Greekness" - stay tuned! ... Voir plusVoir moins
Lara Morciano est une artiste Erc ReachIRCAM ! Retrouvez la ce soir sur France Musique, elle parlera notamment de son utilisation de Somax2 et de son nouveau projet "Des Abysses aux Etoiles" avec l'ITN de l'école des Mines..
Corinne Schneider rencontre la pianiste et compositrice italienne Lara Morciano (née en 1968) à la trajectoire souvent double comme si une seule vie n’était pas suffisante pour exprimer toute la musique qui est en elle. Exigeante et raffinée, son œuvre foisonnante nous emporte avec force et panache. ... Voir plusVoir moins
Corinne Schneider rencontre la pianiste et compositrice italienne Lara Morciano (née en 1968) à la trajectoire souvent double comme si une seule vie n’était pas suffisante pour exprimer toute la ...
First time featured in the Computer Music Journal! 📚
On this issue, the seminal article on our cocreative AI Somax2 by Gérard Assayag, Laurent Bonnasse-Gahot and Joakim Borg is finally out
The journal gives also a nice overview of the @erc_reach project at @ircam_paris and our artistic residency / concerts REACHing Out with the legendary @joelleleandre & the Who/Men (that is Gérard Assayag, Mikhail Malt and Marco Fiorini) + the band @horselords ... Voir plusVoir moins
Two telematic tributes over the ocean (Brazil / France) Flute: Cassia Carrascoza Bomfim Somax2 Generative Electronics: Mikhail Malt
Somax2 "plays" (or re-imagine) George Lewis & Douglas Ewart music from " Jila - Save! Mon. - The Imaginary Suite" LP (Black Saint – 120026-2)
These two pieces are the result of ongoing work on a number of telematic improvisation issues, including listening space and memory. "Co-improvisation in the virtual space: corporeality, memory, and artificial intelligence" The Cássia Carrascoza and Mikhail Malt’s duo have been working “telematically” since 2022, connected via JackTrip/Zoom and working in improvisation sessions mediated by SOMAX2, a program that involves the cooperation of artificial and human intelligence directed towards interactive musical improvisation. We started from our common musical background and focus on creating a sound environment where expressiveness and emotionality are structured through feedback of stimuli permeated by artificial intelligence. These stimuli motivate our listening and generate continuously adapted musical impulses, leading us to create unpredictable sound structures. We are also working on the problem of musical sound spatialization in a telematic environment, using the SPAT software, a real-time audio processor that allows the localization of sound sources in 3D. This system was designed for playback in electroacoustic systems and was also developed at IRCAM. ... Voir plusVoir moins
Somax2 "plays" (or re-imagine) George Lewis & Douglas Ewart music from " Jila - Save! Mon. - The Imaginary Suite" LP (Black Saint – 120026-2), and pieces by Pierre Boulez
These two pieces are the result of ongoing work on a number of telematic improvisation issues, including listening space and memory. "Co-improvisation in the virtual space: corporeality, memory, and artificial intelligence"
The Cássia Carrascoza and Mikhail Malt’s duo have been working “telematically” since 2022, connected via JackTrip/Zoom and working in improvisation sessions mediated by SOMAX2, a program that involves the cooperation of artificial and human intelligence directed towards interactive musical improvisation.
We started from our common musical background and focus on creating a sound environment where expressiveness and emotionality are structured through feedback of stimuli permeated by artificial intelligence. These stimuli motivate our listening and generate continuously adapted musical impulses, leading us to create unpredictable sound structures. We are also working on the problem of musical sound spatialization in a telematic environment, using the SPAT software, a real-time audio processor that allows the localization of sound sources in 3D. This system was designed for playback in electroacoustic systems and was also developed at IRCAM. ... Voir plusVoir moins
@akyol_orkun last piece using Erc Reach Somax2
great interaction indeed ! ... Voir plusVoir moins
This content isn't available right now
When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it or it's been deleted.Workshop Somax2 JIM GMEM 2024 ... Voir plusVoir moins
Improtech @ Uzeste concert videos are now online !
Improtech @ Uzeste features 3 beautiful concerts with more than 40 world class musicians on stage plus an ouverture performance in the Bernard Lubat « Estaminet » featuring his Artisticiel show : 6 hours of joyful and cutting edge improvised music with and without computer !
This year, Joëlle Léandre, Evan Parker, Benoit Delbecq, Jozef Dumoulin, Blonk Jaap, Justin Vali, Rob Frye, Maciek Lasserre, Gaston Bandimic, André Minvielle, Bernard Lubat, Cie Lubat / Uzeste Musical, Sylvain Luc, Mari Kimura, Hervé Sellin, Benny Sluchin, Turner Williams Jr., Raphaël Maurice Fmt, Rémi Georges, Marco Fiorini , Francesco Diodati , Lorenzo Colombo, Pavlos Antoniadis, Laurent Mariusse, Jean-Brice Godet, Jean-Marc Foussat, Jean-marc Montera, Nurith Aviv, Pierre Couprie, Kurtag György Jr, Marc Chemillier, Lucas Lemoine, Camel Zekri, Fabrice Vieira, Sabina Covarrubias, and many others offer a dazzling stage!
Improtech is both a music festival and an interdisciplinary workshop bringing together research and creative players from all over the world to promote musical improvisation in interaction with digital intelligences, in an approach based on human-machine co-creativity.
Following successful editions in New York, Philadelphia and Athens, Improtech @ Uzeste! (ikUzeste’23) will take place from August 11 to 13, 2023 in Uzeste, the beautiful Gascon village where the mythical Hestajada de las arts takes place, the music festival founded by Bernard Lubat, with which Improtech is associated this year. What’s more, it will be the tenth anniversary (postponed until this year) of Improtech’s creation in NYC in 2012.
Check the Improtech @ Uzeste program and info at
improtech.ircam.fr/ikuzeste
reach.ircam.fr/index.php/2024/07/09/improtech-uzeste-concert-videos-are-online/ ... Voir plusVoir moins
This content isn't available right now
When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it or it's been deleted.This content isn't available right now ... Voir plusVoir moins
This content isn't available right now
When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it or it's been deleted.Making an AI remix of Marina Satti 's ZARI combining Holly Herndon's holly.plus and IRCAM's Erc Reach Somax2, part of my lecture - performance at the Popular Music in Greece: International Research Collective conference in Delvinaki, Epirus, by the title "Surfing with Satti-oh-she on Pure Gold: Four case-studies for the Industry 4.0 political economy of musical Greekness" - stay tuned! ... Voir plusVoir moins
Lara Morciano est une artiste Erc Reach IRCAM ! Retrouvez la ce soir sur France Musique, elle parlera notamment de son utilisation de Somax2 et de son nouveau projet "Des Abysses aux Etoiles" avec l'ITN de l'école des Mines..
Corinne Schneider rencontre la pianiste et compositrice italienne Lara Morciano (née en 1968) à la trajectoire souvent double comme si une seule vie n’était pas suffisante pour exprimer toute la musique qui est en elle. Exigeante et raffinée, son œuvre foisonnante nous emporte avec force et panache. ... Voir plusVoir moins
Rencontre avec Lara Morciano
www.radiofrance.fr
Corinne Schneider rencontre la pianiste et compositrice italienne Lara Morciano (née en 1968) à la trajectoire souvent double comme si une seule vie n’était pas suffisante pour exprimer toute la ...This content isn't available right now ... Voir plusVoir moins
This content isn't available right now
When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it or it's been deleted.First time featured in the Computer Music Journal! 📚
On this issue, the seminal article on our cocreative AI Somax2 by Gérard Assayag, Laurent Bonnasse-Gahot and Joakim Borg is finally out
The journal gives also a nice overview of the @erc_reach project at @ircam_paris and our artistic residency / concerts REACHing Out with the legendary @joelleleandre & the Who/Men (that is Gérard Assayag, Mikhail Malt and Marco Fiorini) + the band @horselords ... Voir plusVoir moins
Photos from Marco Fiorini's post ... Voir plusVoir moins
Two telematic tributes over the ocean (Brazil / France)
Flute: Cassia Carrascoza Bomfim
Somax2 Generative Electronics: Mikhail Malt
Somax2 "plays" (or re-imagine) George Lewis & Douglas Ewart music from " Jila - Save! Mon. - The Imaginary Suite" LP (Black Saint – 120026-2)
These two pieces are the result of ongoing work on a number of telematic improvisation issues, including listening space and memory.
"Co-improvisation in the virtual space: corporeality, memory, and artificial intelligence"
The Cássia Carrascoza and Mikhail Malt’s duo have been working “telematically” since 2022, connected via JackTrip/Zoom and working in improvisation sessions mediated by SOMAX2, a program that involves the cooperation of artificial and human intelligence directed towards interactive musical improvisation.
We started from our common musical background and focus on creating a sound environment where expressiveness and emotionality are structured through feedback of stimuli permeated by artificial intelligence. These stimuli motivate our listening and generate continuously adapted musical impulses, leading us to create unpredictable sound structures.
We are also working on the problem of musical sound spatialization in a telematic environment, using the SPAT software, a real-time audio processor that allows the localization of sound sources in 3D. This system was designed for playback in electroacoustic systems and was also developed at IRCAM. ... Voir plusVoir moins
Two telematic tributes over the ocean (Brazil / France)
Flute: Cassia Carrascoza Bomfim
Somax2 Generative Electronics: Mikhail Malt
Somax2 "plays" (or re-imagine) George Lewis & Douglas Ewart music from " Jila - Save! Mon. - The Imaginary Suite" LP (Black Saint – 120026-2), and pieces by Pierre Boulez
These two pieces are the result of ongoing work on a number of telematic improvisation issues, including listening space and memory.
"Co-improvisation in the virtual space: corporeality, memory, and artificial intelligence"
The Cássia Carrascoza and Mikhail Malt’s duo have been working “telematically” since 2022, connected via JackTrip/Zoom and working in improvisation sessions mediated by SOMAX2, a program that involves the cooperation of artificial and human intelligence directed towards interactive musical improvisation.
We started from our common musical background and focus on creating a sound environment where expressiveness and emotionality are structured through feedback of stimuli permeated by artificial intelligence. These stimuli motivate our listening and generate continuously adapted musical impulses, leading us to create unpredictable sound structures.
We are also working on the problem of musical sound spatialization in a telematic environment, using the SPAT software, a real-time audio processor that allows the localization of sound sources in 3D. This system was designed for playback in electroacoustic systems and was also developed at IRCAM. ... Voir plusVoir moins
Collectif Trans(e)-musical - IMPROTECH Uzeste 2023 ... Voir plusVoir moins
This content isn't available right now ... Voir plusVoir moins
This content isn't available right now
When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it or it's been deleted.Erc Reach Somax2 atJIM 2024 ... Voir plusVoir moins
This content isn't available right now
When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it or it's been deleted.... Voir plusVoir moins