Publications

Guiding Co-Creative Musical Agents through Real-Time Instrumental Playing Technique Recognition

Article by Marco Fiorini (IRCAM, Sorbonne Université, CNRS) and Nicolas Brochec (Tokyo University of the Arts) has been accepted for the SMC2024 conference (Sound and Music Computing, 4-6 July 2024, Porto, Portugal). Abstract: This paper presents a novel application and integration of a state-of-the-art CNN-based classifier for real-time flute Instrumental Playing Technique (IPT) recognition within the co-creative system Somax2. […]

Publications

Cocreative Interaction: Somax2 and the REACH Project – The Computer Music Journal

Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borg; Cocreative Interaction: Somax2 and the REACH Project. Computer Music Journal 2022; 46 (4): 7–25. doi: https://doi.org/10.1162/comj_a_00662 https://direct.mit.edu/comj/issue/46/4 Abstract : Somax2 is an artificial intelligence (AI)-based multiagent system for human–machine “coimprovisation” that generates stylistically coherent streams while continuously listening and adapting to musicians or other agents. The model on which it is based can be […]

Publications

A.I. KOMBOÏ: RE-IMAGINING XENAKIS’ KOMBOÏ THROUGH CYBER-HUMAN CO-CREATIVE IMPROVISATION PRACTICE

Article by Marco Fiorini (IRCAM, REACH) and Lorenzo Colombo (DKDM, the Royal Danish Academy of Music) has been accepted for the JIM2024 conference (Journées d’Informatique Musicale, 6-8 May 2024, Marseille, France). Read the full paper Watch the video of the performance RésuméDans cet article, nous documentons une recherche artistique et scientifique dans laquelle nous réimaginons […]

Publications

Challenging epistemic biases in musical AI: a guerrilla approach to human – machine comprovisation based on Xenakis’s sketches for Evryali

Article by Pavlos Antoniadis, Department of Music Studies, University of Ioannina. Download article Abstract: The objective of this paper is to reflect on the affordances of sketches as interfaces for human and machine learning, by way of a case-study based on Iannis Xenakis’s Evryali (1973). First, we report on one-to-one mappings between the composer’s original […]

Publications

Mathematical Morphology for the Analysis and Generation of Time-Frequency Representations of Music

Gonzalo Romero-García. Mathematical Morphology for the Analysis and Generation of TimeFrequency Representations of Music. Signal and Image Processing. Sorbonne Université, 2023. English. ffNNT : 2023SORUS554ff. fftel-04470770f Full publication Download publication Abstract: This thesis explores the application of Mathematical Morphology to the analysis and generation of music, focusing on two time-frequency representations: spectrograms and piano rolls. […]

Publications

Discovering Repeated Patterns From the Onsets in a Multidimensional Representation of Music

Paul Lascabettes & Isabelle Bloch. Discovering Repeated Patterns from Onsets, Third International Conference on Discrete Geometry and Mathematical Morphology, (DGMM), Firenze, Italy, accepted. Full publication Download publication Abstract: This article deals with the discovery of repeated patterns in a multidimensional representation of music using the theory of mathematical morphology. The main idea proposed here is […]

Publications

Binaural sound source localization using a hybrid time and frequency domain model

Gil Geva, Binaural sound source localization using a hybrid time and frequency domain model, Master Reichman University, Sept 2023 (direction S. Dubnov, O. Warusfel,G. Assayag) Full publication Download publication Abstract: This paper introduces a new approach to sound source localization using head-related transfer function (HRTF) characteristics, which enable precise full-sphere localization from raw data. While […]

Publications Software

Cocreative Interaction: Somax2 and the REACH Project

Full publication By Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borg Abstract: Somax2 is an artificial intelligence (AI)-based multiagent system for human–machine co-improvisation that generates stylistically coherent streams while continuously listening and adapting to musicians or other agents. The model on which it is based can be used with little configuration to interact with humans in full autonomy, […]

Conferences Non classé Publications

Proceedings of the Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS)

Bonini Baraldi, Filippo Read original article   The Second Symposium of the International Council for Traditional Music (ICTM)—in August 2023 renamed into International Council for Traditions of Music and Dance (ICTMD)—Study Group on Sound, Movement, and the Sciences (SoMoS) took place in a hybrid format between 26 and 28 October 2022, hosted by Universitat Autònoma de Barcelona […]