Conferences Events

Interaction co-créative dans l’improvisation musicale humain-machine – Mikhail Malt, Marco Fiorini (IRCAM)

Read original article Le jeudi 2 mai 2024 Cet évènement fait partie de NUMOK, festival des cultures numériques des bibliothèques de la Ville de Paris (édition 2024) Conférence / performance sur le concept de co-créativité dans l’improvisation musicale et l’interaction humain-machine avec Mikhail Malt et Marco Fiorini (IRCAM). Dans le cadre du Festival Numok. L’accent […]

Media Residences

Justin Vali x Marc Chemillier – Masoala

« Masoala » with a computer improvisation at 02:49. Paris, studio Luna Rossa, February 20, 2023. Video directed by Yuri Prado. ERC REACH Project, ANR MERCI Project Justin Vali (zither, voice, composition) Marc Chemillier (computer, Djazz software) More infos: http://digitaljazz.fr/2023/06/19/vide… Follow us http://facebook.fr/improtekjazz / digitaljazz1 / digitaljazz / digitaljazz / user-459465352-259158874

Publications

Cocreative Interaction: Somax2 and the REACH Project – The Computer Music Journal

Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borg; Cocreative Interaction: Somax2 and the REACH Project. Computer Music Journal 2022; 46 (4): 7–25. doi: https://doi.org/10.1162/comj_a_00662 https://direct.mit.edu/comj/issue/46/4 Abstract : Somax2 is an artificial intelligence (AI)-based multiagent system for human–machine “coimprovisation” that generates stylistically coherent streams while continuously listening and adapting to musicians or other agents. The model on which it is based can be […]

Software

Cocreative Interaction: Somax2 and the REACH Project

The seminal paper on Somax2 is available:Cocreative Interaction: Somax2 and the REACH Project. Computer Music Journal 2022; 46 (4): 7–25Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borghttps://direct.mit.edu/comj/issue/46/4 Read full paper Abstract: Somax2 is an artificial intelligence (AI)-based multiagent system for human–machine “coimprovisation” that generates stylistically coherent streams while continuously listening and adapting to musicians or other agents. The model […]