Article by Marco Fiorini (IRCAM, Sorbonne Université, CNRS) and Nicolas Brochec (Tokyo University of the Arts) has been accepted for the SMC2024 conference (Sound and Music Computing, 4-6 July 2024, Porto, Portugal). Abstract: This paper presents a novel application and integration of a state-of-the-art CNN-based classifier for real-time flute Instrumental Playing Technique (IPT) recognition within the co-creative system Somax2. […]
Read original article Le jeudi 2 mai 2024 Cet évènement fait partie de NUMOK, festival des cultures numériques des bibliothèques de la Ville de Paris (édition 2024) Conférence / performance sur le concept de co-créativité dans l’improvisation musicale et l’interaction humain-machine avec Mikhail Malt et Marco Fiorini (IRCAM). Dans le cadre du Festival Numok. L’accent […]
Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borg; Cocreative Interaction: Somax2 and the REACH Project. Computer Music Journal 2022; 46 (4): 7–25. doi: https://doi.org/10.1162/comj_a_00662 https://direct.mit.edu/comj/issue/46/4 Abstract : Somax2 is an artificial intelligence (AI)-based multiagent system for human–machine “coimprovisation” that generates stylistically coherent streams while continuously listening and adapting to musicians or other agents. The model on which it is based can be […]
The seminal paper on Somax2 is available:Cocreative Interaction: Somax2 and the REACH Project. Computer Music Journal 2022; 46 (4): 7–25Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borghttps://direct.mit.edu/comj/issue/46/4 Read full paper Abstract: Somax2 is an artificial intelligence (AI)-based multiagent system for human–machine “coimprovisation” that generates stylistically coherent streams while continuously listening and adapting to musicians or other agents. The model […]
On April 15th 2024, Marco Fiorini (IRCAM, REACH) is holding a workshop on Music Improvisation and Composition with Co-Creative AI Agents at Tokyo Geidai University of the Arts (Japan). This workshop will present Somax2, and it will focus on its concepts, UI, control, learning, architectural aspects and musical scenarios. Concrete musical examples with Somax2 will […]
Article by Marco Fiorini (IRCAM, REACH) and Lorenzo Colombo (DKDM, the Royal Danish Academy of Music) has been accepted for the JIM2024 conference (Journées d’Informatique Musicale, 6-8 May 2024, Marseille, France). Read the full paper Watch the video of the performance RésuméDans cet article, nous documentons une recherche artistique et scientifique dans laquelle nous réimaginons […]
Les MERCREDIS DE STMS du 3 avril 2024 accueillent Sabina COVARRUBIAS, postdoctorante au sein de l’équipe Représentations musicales du laboratoire STMS (Ircam – CNRS – Sorbonne Université – Ministère de la Culture), qui présentera l’objet de ses recherches actuelles : « IMPROVISIO – Pour un outil d’improvisation de musique visuelle destiné aux musiciens dans un contexte […]
