Read original article Gérard Assayag is an Ircam research director and head of Ircam Music Representation Team in Paris. He has co-designed various music research software environments which are used in many places for computer assisted composition, analysis and improvisation. How can an AI-tool play music together with a human musician? Gérard Assayag: By listening to music our computer program creates a kind of cartographic map […]
By Marc Chemillier. Gradhiva : revue d’histoire et d’archives de l’anthropologie , 2024, 37 Read full interview. Marc Chemillier, vous êtes directeur d’études à l’EHESS, membre du CAMS (Centred’Analyse et de Mathématique Sociales). Vos travaux portent sur la modélisation des savoirsrelevant de l’oralité, et plus particulièrement sur les savoirs musicaux. Ils se situent à lacroisée […]
Read original article Artificial intelligence (AI) shows its artistic side in a new algorithm created by researchers from UC San Diego and the Institute for Research and Coordination in Acoustics/Music (IRCAM) in Paris, France. The new algorithm, called the Music Latent Diffusion Model (MusicLDM), helps create music out of “sound poetry,” a practice that uses […]
