Auteur/autrice : Gerard Assayag
Ex Machina concert entier 2022 02 11 Original
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The Box & SoMax2
-Continuing to use SoMax 2 with more inharmonic materials. Here I use my DIY instrument “The Box” with 3 corpuses : – 1 with it’s own sound – 1 prepared piano – 1 modular synth blirp, and blurp It’s really interesting to see how sometimes, SoMax does not really know what to do with some […]
Elaine Chew with Somax2 on Ravel / Boulez « reloaded »
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Evaluating Co-Creativity using Total Information Flow
Read full publication. Published by Vignesh Gokul, Chris Francis, Shlomo Dubnov. Abstract: Co-creativity in music refers to two or more musicians or musical agents interacting with one another by composing or improvising music. However, this is a very subjective process and each musician has their own preference as to which improvisation is better for some […]
Discovering Repeated Patterns From the Onsets in a Multidimensional Representation of Music
Paul Lascabettes & Isabelle Bloch. Discovering Repeated Patterns from Onsets, Third International Conference on Discrete Geometry and Mathematical Morphology, (DGMM), Firenze, Italy, accepted. Full publication Download publication Abstract: This article deals with the discovery of repeated patterns in a multidimensional representation of music using the theory of mathematical morphology. The main idea proposed here is […]
Binaural sound source localization using a hybrid time and frequency domain model
Gil Geva, Binaural sound source localization using a hybrid time and frequency domain model, Master Reichman University, Sept 2023 (direction S. Dubnov, O. Warusfel,G. Assayag) Full publication Download publication Abstract: This paper introduces a new approach to sound source localization using head-related transfer function (HRTF) characteristics, which enable precise full-sphere localization from raw data. While […]