Teaching computers to think like a human. Read original article This story was published in the Spring 2023 issue of UC San Diego Magazine. Walk into any jazz club and you’ll be blown away by the musicians’ skills and ability to riff off one another. The performances are dynamic, powerful and improvisational. The experience itself is […]
Auteur/autrice : Gerard Assayag
IMPROTECH 2023 @ UZESTE !
Improtech aura lieu à Uzeste du 11 au 13 août 2023. Après des éditions remarquées à New York, Philadelphie et Athènes, Improtech @ Uzeste ! (ikUzeste’23) se tiendra du 11 au 13 août 2023 à Uzeste, le beau village occitan où se déroule la mythique Hestajada de les arts, le festival de musique fondé par Bernard […]
Switching Machine Improvisation Models by Latent Transfer Entropy Criteria
Shlomo Dubnov, Vignesh Gokul, Gérard Assayag. Switching Machine Improvisation Models by Latent Transfer Entropy Criteria. Physical Sciences Forum, 2023, 5 (1), pp.49. ff10.3390/psf2022005049ff.ffhal-04010744 Full publication Abstract: Music improvisation is the ability of musical generative systems to interact with either another music agent or a human improviser. This is a challenging task, as it is not trivial […]
Switching machine improvisation models by latent transfer entropy criteria
Read full publication. Published by Shlomo Dubnov, Vignesh Gokul, Gérard Assayag. Abstract: Music improvisation is the ability of musical generative systems to interact with either another music agent or a human improviser. This is a challenging task, as it is not trivial to define a quantitative measure that evaluates the creativity of the musical agent. […]
Co-créativité humains-machines. Une réflexion sur les indisciplines symboliques.
Lire l’article intégral sur HAL Article pour la Revue Francophone d’Informatique et Musique, 2020, n° 7-8 – Culture du code. Une pertinence musicale portée à la fois par des agents humains et artificiels qui coopèrent estelle possible, en particulier dans une démarche qui dépasse les rigidités de genre et de disciplines ? L’auteur part de […]
REACHing out: Joëlle Léandre in residence at Ircam
Read original article Joëlle Léandre is experimenting with AI human-machine interaction in the framework of the Reach project with Gérard Assayag, Mikhail Malt and Marco Fiorini, using in particular the Somax2 software from this project on CoCreativity and Creative AI. Watch the Reaching Out ! Joëlle Léandre documentary as well as video recordings of studio sessions and audio album in preparation wit a selection of pieces. https://vimeo.com/785945938 » To have […]
TSF JAZZ – émission Pour Qui Sonne Le Jazz – Jazz et Intelligence Artificielle peuvent-ils s’entendre ?
Ecouter le podcast sur le site de TSF JAZZ Un disque culte, une voix oubliée, une archive inédite : du lundi au vendredi à 9h30, David Koperhant explore cent ans d’histoire(s) du jazz pour une ballade sonore d’un quart d’heure, mixée et habillée par Eric Holstein. Jazz et Intelligence Artificielle peuvent-ils s’entendre ? L’intelligence artificielle. […]
The Value of Music on TikTok and New Musical Practices
Marc Chemillier et Yohann Rabearivelo, « Valeur de la musique sur TikTok et nouvelles pratiques musicales », Volume !, 20 : 1 | 2023, 107-121. Full publication Abstract: With a powerful algorithm and creative features available to its users, TikTok is a platform for publishing short audiovisual content that has made a name for itself […]
Machine-man Co-improvisation: Incursion of Djazz in Flamenco
Dominique Costa, Séraphin Costa, Mikhail Malt, Marc Chemillier, Gerard Assayag, Machine-Musician Co-improvisation: A Djazz Incursion into Flamenco, Filippo Borini Baraldi (eds.), Proceedings of the Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS), Barcelona, October 26, 2022, published 2023, p. 59-62.h Full publication Download publication Abstract: Flamenco is a traditional […]
A scientist’s opinion: Interview with Gérard Assayag on AI in music
Read original article Gérard Assayag is an Ircam research director and head of Ircam Music Representation Team in Paris. He has co-designed various music research software environments which are used in many places for computer assisted composition, analysis and improvisation. How can an AI-tool play music together with a human musician? Gérard Assayag: By listening to music our computer program creates a kind of cartographic map […]