By Ilana Shapiro, Ruanqianqian Huang, Zachary Novack, Cheng-I Wang, Hao-Wen Dong, Taylor Berg-Kirkpatrick, Shlomo Dubnov, Sorin Lerner. Read full publication. Abstract: Western music is an innately hierarchical system of interacting levels of structure, from fine-grained melody to high-level form. In order to analyze music compositions holistically and at multiple granularities, we propose a unified, hierarchical […]
Italian group tellKujira and Marco Fiorini will perform live at Area Sismica (Italy) on Saturday 2 November, for the Forlì Open Music 2024 Festival.The ensemble will play pieces resulting from the artistic research carried out at IRCAM in late 2023 on group interaction with Somax2, and resulting in an album recorded in June 2024, to […]
Paper written by Nicolas Brochec*, Tsubasa Tanaka*, and Will Howie*† has been presented at the ICMC2024 (International Computer Music Conference 2024). * Tokyo University of the Arts† Japan Society for the Promotion of Science Full publication Abstract: Within existing research on the automatic classification of musical instrument playing techniques, few available datasets include enough playing […]
Article by Pierre Saint-Germier (CNRS, STMS – IRCAM), Clément Canonne (CNRS, STMS – IRCAM) and Marco Fiorini (STMS – IRCAM, Sorbonne Université, CNRS) has been accepted for the AIMC2024 Conference (The International Conference on AI and Musical Creativity, 9-11 September 2024, Oxford, UK) Read the full paper Abstract: Research in Embodied Music Cognition suggests that […]
By Paul Lascabettes, Isabelle Bloch. Mathematics and Computation in Music, Jun 2024, Coimbra, Portugal. pp.45-57. Read full publication. Abstract: We propose in this article to generate good rhythms from geometric properties. This approach is based on the work by Toussaint, who investigated the properties that make a “good” rhythm good in his book The Geometry […]
Article by Marco Fiorini (IRCAM, Sorbonne Université, CNRS) and Nicolas Brochec (Tokyo University of the Arts) has been accepted for the SMC2024 conference (Sound and Music Computing, 4-6 July 2024, Porto, Portugal). Read the full paper Watch a video demo of the system Abstract: This paper presents a novel application and integration of a state-of-the-art CNN-based classifier for real-time […]
NUMOK, festival des cultures numériques des bibliothèques de la Ville de Paris, this year will focus on AI and creativity, and will host a presentation/concert by Mikhail Malt and Marco Fiorini, of the REACH team, on May 2nd 2024 at 19:00, at the Médiathèque musicale de Paris (MMP) at Les Halles. The event, focusing on […]
Ma Records just released Paragliding, by Jonas Gerigk, Marco Fiorini and Michal Wróblewski.The album features Somax2 and was recorded as part of an artistic residency at Divadlo29 in Pardubice, Czech Republic in June 2023. Listen to the full album here Paragliding by Gerigk Fiorini Wróblewski Czech saxophonist Michal Wróblewski, Italian guitarist Marco Fiorini and German […]
On April 15th 2024, Marco Fiorini (IRCAM, REACH) is holding a workshop on Music Improvisation and Composition with Co-Creative AI Agents at Tokyo Geidai University of the Arts (Japan). This workshop will present Somax2, and it will focus on its concepts, UI, control, learning, architectural aspects and musical scenarios. Concrete musical examples with Somax2 will […]
Article by Marco Fiorini (IRCAM, REACH) and Lorenzo Colombo (DKDM, the Royal Danish Academy of Music) has been accepted for the JIM2024 conference (Journées d’Informatique Musicale, 6-8 May 2024, Marseille, France). Read the full paper Watch the video of the performance RésuméDans cet article, nous documentons une recherche artistique et scientifique dans laquelle nous réimaginons […]
