Jérôme Nika, Augustin Muller, Joakim Borg, Manuel Poletti, Gérard Assayag Ircam. 2022 Read full article. Abstract: Dicy2 for Live is an Ableton Live plugin using machine learning to interactively generate sequences in a musical relationship to a real-time analysis of an incoming audio stream. It can be integrated into musical situations ranging from the production […]
Jérôme Nika, Augustin Muller, Joakim Borg, Gérard Assayag, Matthew Ostrowski Ircam UMR STMS 9912. 2022 Read full article. Abstract: Dicy2 for Max is a suite of Max abstractions which use machine learning for interactive generation of musical sequences. It can be integrated into musical situations ranging from the production of structured material within a compositional […]
Gonzalo Romero-García, Isabelle Bloch, Carlos Agon MCM 2022 – 8th International Conference Mathematics and Computation in Music, Jun 2022, Atlanta, United States. pp.255-266 Read full publication. Abstract: Mathematical Morphology provides powerful tools for image processing, analysis and understanding. In this paper, we will work on how to apply these tools to analyze scores, that are […]
Paul Lascabettes, Carlos Agon, Moreno Andreatta, Isabelle Bloch MCM 2022 – 8th International Conference Mathematics and Computation in Music, Jun 2022, Atlanta, United States. pp.267-278 Read full publication. Abstract: This paper deals with the computational analysis of musical structures by focusing on the use of morphological filters. We first propose to generalize the notion of […]
Marc Chemillier Marion Laval-Jeantet; Yann Toma. Organigrammes. L’art face aux mondes complexes. Read full publication. Abstract: Les organigrammes sont utilisés en informatique dans ce qu’on appelle les « organigrammes deprogrammation ». Ce sont des représentations graphiques normalisées de l’enchaînement desopérations et des décisions effectuées par un programme d’ordinateur. Même si on ne les visualisepas explicitement, […]
Bernard Lubat, Gérard Assayag, Marc Chemillier Association Improvisation Musicale et Technologie. Phonofaune, 2021, Dialogiques d’Uzeste, Bernard Lubat Read full publication. Abstract: Dans la collection des Dialogiques d’Uzeste, le musicien de jazz Bernard Lubat dialogue avec les systèmes d’intelligence artificielle (IA) musicale créés par l’équipe Représentations musicales de l’Ircam et leurs concepteurs Gérard Assayag (Ircam-STMS) et […]
George Lewis In Bernard Lubat, Gérard Assayag, Marc Chemillier. Artisticiel / Cyber-Improvisations. Phonofaune, 2021, Dialogiques d’Uzeste., 2021 Read full publication. Abstract: I’ve been making interactive computer music and installations since around 1979, focusing on the development of programs that analyze aspects of their environment (in most cases, the improvisations of other human performers) in real […]
Gérard Assayag in Bernard Lubat, Gérard Assayag, Marc Chemillier. Artisticiel / Cyber-Improvisations. Phonofaune, 2021, Dialogiques d’Uzeste. ⟨hal-03542917⟩, 2021 Read full publication. Abstract: Is it possible to conceive a kind of musical significance that would be carried by both human and artificial agents, cooperating together, especially if it is supported by a vision unfettered from rigidity […]
Marc Chemillier In Bernard Lubat, Gérard Assayag, Marc Chemillier. Artisticiel / Cyber-Improvisations. Phonofaune, 2021, Dialogiques d’Uzeste., 2021 Read full publication. Abstract: In the Dialogues d’Uzeste collection, the jazz musician Bernard Lubat interacts with musical artificial intelligence systems (AI) created by the Musical Representations team at IRCAM and with their designers: Gérard Assayag (IRCAM-STMS) and Marc […]
Tristan Carsault, Jérôme Nika, Philippe Esling, Gérard Assayag Electronics, 2021, 10 (21), pp.2634. Read full publication. Abstract: Recently, the field of musical co-creativity has gained some momentum. In this context, our goal is twofold: to develop an intelligent listening and predictive module of chord sequences, and to propose an adapted evaluation of the associated Music […]