Teaching computers to think like a human. Read original article This story was published in the Spring 2023 issue of UC San Diego Magazine. Walk into any jazz club and you’ll be blown away by the musicians’ skills and ability to riff off one another. The performances are dynamic, powerful and improvisational. The experience itself is […]
Ecouter le podcast sur le site de TSF JAZZ Un disque culte, une voix oubliée, une archive inédite : du lundi au vendredi à 9h30, David Koperhant explore cent ans d’histoire(s) du jazz pour une ballade sonore d’un quart d’heure, mixée et habillée par Eric Holstein. Jazz et Intelligence Artificielle peuvent-ils s’entendre ? L’intelligence artificielle. […]
Read original article Gérard Assayag is an Ircam research director and head of Ircam Music Representation Team in Paris. He has co-designed various music research software environments which are used in many places for computer assisted composition, analysis and improvisation. How can an AI-tool play music together with a human musician? Gérard Assayag: By listening to music our computer program creates a kind of cartographic map […]
Read original article on Forbes website By Eva Amsen – Contributor – Writing about the overlap of science and art This article has been updated with a clarification about the REACH project Musicians have been experimenting with artificial intelligence for a few years now. For example, in 2019, an AI trained on Schubert’s music completed his Unfinished Symphony and last […]
Read original article Jérôme Nika (PhD), Researcher in interactions with generative music technologies & Electronic musician. As a researcher in the ISMM team at Ircam, Jérôme Nika’s work focuses on how to model, learn, and navigate an “artificial musical memory” in creative contexts. In opposition to a “replacement approach” where AI would substitute for human, this research aims at designing novel creative practices involving a […]
Read original article The IRCAM research professor Gérard Assayag has been awarded a 2019 ERC Advanced Grant for the REACH project (Raising co-creativity in cyber-human Musicianship) which enables him to continue his work on cyber-human musical co-creation. He founded the Musical Representations team at the Science and Technology of Music and Sound Laboratory(STMS — CNRS/IRCAM/Culture and Communication Ministry/Sorbonne […]