Read original article Gérard Assayag is an Ircam research director and head of Ircam Music Representation Team in Paris. He has co-designed various music research software environments which are used in many places for computer assisted composition, analysis and improvisation. How can an AI-tool play music together with a human musician? Gérard Assayag: By listening to music our computer program creates a kind of cartographic map […]
Read original article on Forbes website By Eva Amsen – Contributor – Writing about the overlap of science and art This article has been updated with a clarification about the REACH project Musicians have been experimenting with artificial intelligence for a few years now. For example, in 2019, an AI trained on Schubert’s music completed his Unfinished Symphony and last […]
Read original article Jérôme Nika (PhD), Researcher in interactions with generative music technologies & Electronic musician. As a researcher in the ISMM team at Ircam, Jérôme Nika’s work focuses on how to model, learn, and navigate an “artificial musical memory” in creative contexts. In opposition to a “replacement approach” where AI would substitute for human, this research aims at designing novel creative practices involving a […]
Read original article The IRCAM research professor Gérard Assayag has been awarded a 2019 ERC Advanced Grant for the REACH project (Raising co-creativity in cyber-human Musicianship) which enables him to continue his work on cyber-human musical co-creation. He founded the Musical Representations team at the Science and Technology of Music and Sound Laboratory(STMS — CNRS/IRCAM/Culture and Communication Ministry/Sorbonne […]
