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Elaine Chew and Gerard Assayag are part of director Anna Neuhaus’ ARTE documentary on The Future of Music focusing on what AI means for music, featuring jazz pianist Michael Wollny and classical pianist Kit Armstrong. This segment was filmed in Paris at IRCAM, the Institut de Recherche et Coordination Acoustique/Musique. Elaine is joined by Gérard Assayag (ERC […]
Preparing the Boulez Somax2 IRCAM variations for concert at Carnegie Hall with ICE
Levy Lorenzo from the International Contemporary Ensamble is in studio at IRCAM with Marco Fiorini, Gérard Assayag and George Lewis to work on preliminary Somax2 tests for the upcoming concert homage at Pierre Boulez that will take place at Carnegie Hall in New York on 30 January 2025, with the world premiere of Boulez Somax2 […]
Introducing EG-IPT and ipt~: a novel electric guitar dataset and a new Max/MSP object for real-time classification of instrumental playing techniques
Article by Marco Fiorini*, Nicolas Brochec*, Joakim Borg and Riccardo Pasini (* equal contribution) has been accepted for the New Interfaces for Musical Expression (NIME) Conference in Canberra, Australia. Read the full paper Video demo Abstract: This paper presents two key contributions to the real-time classi- fication of Instrumental Playing Techniques (IPTs) in the context […]



