Marc Chemillier et Yohann Rabearivelo, « Valeur de la musique sur TikTok et nouvelles pratiques musicales », Volume !, 20 : 1 | 2023, 107-121. Full publication Abstract: With a powerful algorithm and creative features available to its users, TikTok is a platform for publishing short audiovisual content that has made a name for itself […]
Research
Machine-man Co-improvisation: Incursion of Djazz in Flamenco
Dominique Costa, Séraphin Costa, Mikhail Malt, Marc Chemillier, Gerard Assayag, Machine-Musician Co-improvisation: A Djazz Incursion into Flamenco, Filippo Borini Baraldi (eds.), Proceedings of the Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS), Barcelona, October 26, 2022, published 2023, p. 59-62.h Full publication Download publication Abstract: Flamenco is a traditional […]
Creative Improvised Interaction with Generative Musical Systems
Shlomo Dubnov, Gérard Assayag, Vignesh Gokul. Creative Improvised Interaction with Generative Musical Systems. 2022 IEEE 5th International Conference on Multimedia InformationProcessing and Retrieval (MIPR), IEEE, Aug 2022, CA (virtual), United States. pp.121-126,ff10.1109/MIPR54900.2022.00028ff. ffhal-04010750f Full article Download PDF Abstract: In this paper we survey the methods for control and cre- ative interaction with pre-trained generative models […]
A posthumous improvisation by Toots Thielemans
Marc Chemillier, Shlomo Dubnov, Ke Chen, Mikhail Malt, Gérard Assayag. A posthumous improvisation by Toots Thielemans. Toots Thielemans (1922-2016). A Century of Music across Europe and America, Royal Library of Belgium, Bruxelles., 2023. Full publication Download publication Abstract: In jazz, the presence of the musician is of such central importance that the recordings considered to […]
The smile of Velonjoro. Bi-musicality and the use of artificial intelligence in the analysis of Madagascar zither music
Marc Chemillier, April 15, 2022, October 10, 2023 Read full publication Abstract: Mantle Hood’s notion of bi-musicality coined on the model of bilingual, applied to people able to play music from two different cultures. This notion is still used and discussed today although it is redefined in the era of globalization and postcolonial issues where […]