HAo-Wen Dong, K. Chen, S. Dubnov, J. McAuley and T. Berg-Kirkpatrick, « Multitrack Music Transformer, » ICASSP 2023 – 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Rhodes Island, Greece, 2023, pp. 1-5, doi: 10.1109/ICASSP49357.2023.10094628. Full publication Abstract: Existing approaches for generating multitrack music with transformer models have been limited in terms of the […]
Improtech aura lieu à Uzeste du 11 au 13 août 2023. Après des éditions remarquées à New York, Philadelphie et Athènes, Improtech @ Uzeste ! (ikUzeste’23) se tiendra du 11 au 13 août 2023 à Uzeste, le beau village occitan où se déroule la mythique Hestajada de les arts, le festival de musique fondé par Bernard […]
Presented during the IRCAM Forum Workshop 2023 In Paris by Mikhail Malt and Marco Fiorini. Somax 2.5 is an application and a library for live co-creative interaction with musicians in improvisation composition or installation scenarios. It is based on a machine listening, reactive engine and generative model that provide stylistically coherent improvisation while continuously adapting […]
Shlomo Dubnov, Vignesh Gokul, Gérard Assayag. Switching Machine Improvisation Models by Latent Transfer Entropy Criteria. Physical Sciences Forum, 2023, 5 (1), pp.49. ff10.3390/psf2022005049ff.ffhal-04010744 Full publication Abstract: Music improvisation is the ability of musical generative systems to interact with either another music agent or a human improviser. This is a challenging task, as it is not trivial […]
Read full publication. Published by Shlomo Dubnov, Vignesh Gokul, Gérard Assayag. Abstract: Music improvisation is the ability of musical generative systems to interact with either another music agent or a human improviser. This is a challenging task, as it is not trivial to define a quantitative measure that evaluates the creativity of the musical agent. […]
Lire l’article intégral sur HAL Article pour la Revue Francophone d’Informatique et Musique, 2020, n° 7-8 – Culture du code. Une pertinence musicale portée à la fois par des agents humains et artificiels qui coopèrent estelle possible, en particulier dans une démarche qui dépasse les rigidités de genre et de disciplines ? L’auteur part de […]
Joakim Borg, Gérard Assayag, Mikhail Malt SMC 2022 – Sound Music & Computing, Jun 2022, Saint-Étienne, France. Proceedings of the 19th Sound and Music Computing Conference, 2022 Read full publication. Abstract: Somax 2 is a multi-agent interactive system performing live machine co-improvisation with musicians, based on machine-listening, machine-learning, and generative units. The actual version ([Borg […]
Marc Chemillier et Yohann Rabearivelo, « Valeur de la musique sur TikTok et nouvelles pratiques musicales », Volume !, 20 : 1 | 2023, 107-121. Full publication Abstract: With a powerful algorithm and creative features available to its users, TikTok is a platform for publishing short audiovisual content that has made a name for itself […]
Jérôme Nika, Augustin Muller, Joakim Borg, Manuel Poletti, Gérard Assayag Ircam. 2022 Read full article. Abstract: Dicy2 for Live is an Ableton Live plugin using machine learning to interactively generate sequences in a musical relationship to a real-time analysis of an incoming audio stream. It can be integrated into musical situations ranging from the production […]
Jérôme Nika, Augustin Muller, Joakim Borg, Gérard Assayag, Matthew Ostrowski Ircam UMR STMS 9912. 2022 Read full article. Abstract: Dicy2 for Max is a suite of Max abstractions which use machine learning for interactive generation of musical sequences. It can be integrated into musical situations ranging from the production of structured material within a compositional […]
