Jérôme Nika, Augustin Muller, Joakim Borg, Gérard Assayag, Matthew Ostrowski Ircam UMR STMS 9912. 2022 Read full article. Abstract: Dicy2 for Max is a suite of Max abstractions which use machine learning for interactive generation of musical sequences. It can be integrated into musical situations ranging from the production of structured material within a compositional […]
Dominique Costa, Séraphin Costa, Mikhail Malt, Marc Chemillier, Gerard Assayag, Machine-Musician Co-improvisation: A Djazz Incursion into Flamenco, Filippo Borini Baraldi (eds.), Proceedings of the Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS), Barcelona, October 26, 2022, published 2023, p. 59-62.h Full publication Download publication Abstract: Flamenco is a traditional […]
Gonzalo Romero-García, Isabelle Bloch, Carlos Agon MCM 2022 – 8th International Conference Mathematics and Computation in Music, Jun 2022, Atlanta, United States. pp.255-266 Read full publication. Abstract: Mathematical Morphology provides powerful tools for image processing, analysis and understanding. In this paper, we will work on how to apply these tools to analyze scores, that are […]
Shlomo Dubnov, Gérard Assayag, Vignesh Gokul. Creative Improvised Interaction with Generative Musical Systems. 2022 IEEE 5th International Conference on Multimedia InformationProcessing and Retrieval (MIPR), IEEE, Aug 2022, CA (virtual), United States. pp.121-126,ff10.1109/MIPR54900.2022.00028ff. ffhal-04010750f Full article Download PDF Abstract: In this paper we survey the methods for control and cre- ative interaction with pre-trained generative models […]
Marc Chemillier, Shlomo Dubnov, Ke Chen, Mikhail Malt, Gérard Assayag. A posthumous improvisation by Toots Thielemans. Toots Thielemans (1922-2016). A Century of Music across Europe and America, Royal Library of Belgium, Bruxelles., 2023. Full publication Download publication Abstract: In jazz, the presence of the musician is of such central importance that the recordings considered to […]
Marc Chemillier, April 15, 2022, October 10, 2023 Read full publication Abstract: Mantle Hood’s notion of bi-musicality coined on the model of bilingual, applied to people able to play music from two different cultures. This notion is still used and discussed today although it is redefined in the era of globalization and postcolonial issues where […]
Paul Lascabettes, Carlos Agon, Moreno Andreatta, Isabelle Bloch MCM 2022 – 8th International Conference Mathematics and Computation in Music, Jun 2022, Atlanta, United States. pp.267-278 Read full publication. Abstract: This paper deals with the computational analysis of musical structures by focusing on the use of morphological filters. We first propose to generalize the notion of […]
Marc Chemillier Marion Laval-Jeantet; Yann Toma. Organigrammes. L’art face aux mondes complexes. Read full publication. Abstract: Les organigrammes sont utilisés en informatique dans ce qu’on appelle les « organigrammes deprogrammation ». Ce sont des représentations graphiques normalisées de l’enchaînement desopérations et des décisions effectuées par un programme d’ordinateur. Même si on ne les visualisepas explicitement, […]
Bernard Lubat, Gérard Assayag, Marc Chemillier Association Improvisation Musicale et Technologie. Phonofaune, 2021, Dialogiques d’Uzeste, Bernard Lubat Read full publication. Abstract: Dans la collection des Dialogiques d’Uzeste, le musicien de jazz Bernard Lubat dialogue avec les systèmes d’intelligence artificielle (IA) musicale créés par l’équipe Représentations musicales de l’Ircam et leurs concepteurs Gérard Assayag (Ircam-STMS) et […]
George Lewis In Bernard Lubat, Gérard Assayag, Marc Chemillier. Artisticiel / Cyber-Improvisations. Phonofaune, 2021, Dialogiques d’Uzeste., 2021 Read full publication. Abstract: I’ve been making interactive computer music and installations since around 1979, focusing on the development of programs that analyze aspects of their environment (in most cases, the improvisations of other human performers) in real […]
