Dubnov, S. Predictive Quantization and Symbolic Dynamics. Algorithms 2022, 15, 484. https://doi.org/10.3390/a15120484 Read full article Abstract: Capturing long-term statistics of signals and time series is important for modeling recurrent phenomena, especially when such recurrences are a-periodic and can be characterized by the approximate repetition of variable length motifs, such as patterns in human gestures and trends in […]
Research
Co-Creativity and AI Ethics
By Vignesh Gokul. Computer Science [cs]. University of California San Diego, 2024. English. Read full publication. Abstract: With the development of intelligent chatbots, humans have found a method to communicate with artificial digital assistants. However, human beings are able to communicate an enormous amount of information without ever saying a word, eg gestures and music. […]
Somax2 presented at Notam Online Max Meetup
On Monday 25 November, at 19:00 (GMT +1) Marco Fiorini will lead an Online Max Meetup for Notam, the Norwegian centre for technology, art and music. The session will present Somax2 and discuss Music Improvisation and Composition with Co-Creative Agents, showcasing concrete research and artistic outcomes of the REACH project to the online Max community. […]
REACHing OUT! Strikes Back !
ven 15 au dim 17 novembre,Athénor – Le LiFE – St Nazaire Après le festival Manifeste au Centre Georges Pompidou en juin 2023, le festival Propagations du GMEM à la friche de la Belle de Mai à Marseilles en mai 2024, Le festival Improtech à Tokyo an août 2024, REACHing OUT! revient pour le festival […]
Generative AI for Music and Audio
By Hao-Wen Dong. Sound [cs.SD]. University of California San Diego, 2024. English. Read full publication. Abstract: Generative AI has been transforming the way we interact with technology and consume content. In the next decade, AI technology will reshape how we create audio content in various media, including music, theater, films, games, podcasts, and short videos. […]
Cyber-improvisations et cocréativité, quand le jazz joue avec les machines
Gérard Assayag, Marc Chemillier, Bernard Lubat 2023, pp.38-39. Read full article. Abstract: Pouvez-vous nous raconter votre rencontre et votre envie de travailler ensemble ? Marc Chemillier : Avec Gérard Assayag, nous avons commencé à concevoir des logiciels pour faire de l’improvisation musicale au début des années 2000. Gérard travaillait sur la simulation stylistique et explorait […]
Improvisio : towards a visual music improvisation tool for musicians in a cyber-human co-creation context
BySabina Covarrubias Stms. Journées d’informatique musicale, Micael Antunes; Jonathan Bell; Javier Elipe Gimeno; Mylène Gioffredo; Charles de Paiva Santana; Vincent Tiffon, May 2024, Marseille, France. Read full publication. Abstract: Improvisio is a software for musicians who want to improvise visual music. Its development is part of the REACH project. It is useful to create visual […]
Being the Artificial Player: Good Practices in Collective Human-Machine Music Improvisation
Article by Marco Fiorini (STMS – IRCAM, Sorbonne Université, CNRS) has been accepted for the 13th EAI International Conference: ArtsIT, Interactivity & Game Creation at New York University in Abu Dhabi, United Arab Emirates Read the full paper Abstract: This essay explores the use of generative AI systems in cocreativity within musical improvisation, offering best practices for […]
Preparing the Boulez Somax2 IRCAM variations for concert at Carnegie Hall with ICE
Levy Lorenzo from the International Contemporary Ensamble is in studio at IRCAM with Marco Fiorini, Gérard Assayag and George Lewis to work on preliminary Somax2 tests for the upcoming concert homage at Pierre Boulez that will take place at Carnegie Hall in New York on 30 January 2025, with the world premiere of Boulez Somax2 […]